tag:blogger.com,1999:blog-83347827947528581442024-03-05T04:09:51.371-05:00Manhattan Edit Workshop's BlogMEWShop's blog for everything in the world of filmmaking.Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comBlogger839125tag:blogger.com,1999:blog-8334782794752858144.post-33805525673530117282022-12-20T09:44:00.001-05:002022-12-22T09:54:23.017-05:00“Black Panther: Wakanda Forever” and “Breaking Bad” Editor Kelley Dixon, ACE, Joins Manhattan Edit Workshop as Artist in Residence to Start 2023<div class="separator" style="clear: both; text-align: center;"><a href="https://www.mewshop.com/news-and-press/2022/12/20/black-panther-wakanda-forever-and-breaking-bad-editor-kelley-dixon-ace-joins-manhattan-edit-workshop-as-artist-in-residence-to-start-2023" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="360" data-original-width="500" height="441" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtu47deXvfVMn881uIu3nt7A58okbSNFjhuP3A37SH3MmmbM1xVhEQGnwThspCg-vypO1D9uYA_Dm04pHqE5wqUvh0mpTDLfvT3ktMkLvWeypmJch7ZjkBde3zbNwNu0d4Wj6xrk56LTLT1GnYKkNqrcVtp5qOwJe0QtnXb30ttFtcR4MhJ3zkPvryGw/w614-h441/KelleyDixon2.png" width="614" /></a></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; font-family: Montserrat; font-size: 18px; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; text-align: start;"><span style="font-family: arial; font-size: large;"><b>MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online or In Person January 9th</b></span></span></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><br /></div><span style="font-family: arial; font-size: medium;"><a href="http://mewshop.com/">Manhattan Edit Workshop (MEWShop)</a>, the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the January 9th 2023, class will be Emmy-winning Editor Kelley Dixon, ACE** </span><div class="separator" style="clear: both; text-align: center;"><p class="" style="background-color: white; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: arial; font-size: medium;">Kelley will be joining our Six Week Students to discuss her long and distinguished career, give students insight into her process, and to screen and give feedback on student’s projects.</span></p><p class="" style="background-color: white; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: arial; font-size: medium;"><strong style="overflow-wrap: break-word;">Kelley Dixon, ACE,</strong> got her start in post-production in multiple capacities in the editing room on the features “Reservoir Dogs” and “Good Will Hunting” as well as TV's “Without a Trace,” and “Revelations.” Kelley got her big break after many long years as an assistant when her editor, Lynne Willingham, ACE, cut the “Breaking Bad” pilot and she became the series' second editor. She's been nominated for four ACE awards and six Emmys - winning one Emmy in 2013 - for her work on “Breaking Bad.” Kelley also edited on “Obi-Wan Kenobi,” “The Falcon and The Winter Soldier,” “Luck,” “Shameless,” “The Walking Dead,” “Halt and Catch Fire,” “Preacher,” and the hit “Breaking Bad” spin-off, “Better Call Saul.” She recently completed Marvel's “Black Panther: Wakanda Forever.”</span></p><p class="" style="background-color: white; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: arial; font-size: medium;">The next installment of MEWShop’s Six Week Intensive Workshop will be taught LIVE online and <span style="overflow-wrap: break-word; text-decoration-line: underline;">in person</span> beginning on January 9, 2023. Class runs Monday through Friday from 10 AM ET to 6 PM ET. For more information on the Six Week Intensive Workshop or to register, please visit <a href="https://www.mewshop.com/6-week-overview" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">https://www.mewshop.com/6-week-overview</a>. If you are interested in taking the class online please visit <a href="https://www.mewshop.com/six-week-intensive-online" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">https://www.mewshop.com/six-week-intensive-online</a> for all information and requirements. “Kelley Dixon is one of the best Editors of our generation and we are thrilled to have her back,” says Manhattan Edit Workshop’s Director of Education, Janet Dalton. "From Kelley’s start working as an assistant on iconic films, to her groundbreaking work on “Breaking Bad,” and most recently on “Black Panther: Wakanda Forever.” MEWShop’s early bird pricing ends December 30th.</span></p><p class="" style="background-color: white; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><span style="font-family: arial; font-size: large;">Read more <a href="https://www.mewshop.com/news-and-press/2022/12/20/black-panther-wakanda-forever-and-breaking-bad-editor-kelley-dixon-ace-joins-manhattan-edit-workshop-as-artist-in-residence-to-start-2023" target="_blank">HERE</a>.</span></strong></p><p class="" style="background-color: white; font-family: Montserrat; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><br /></p></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-6244825239673202242022-09-14T08:38:00.002-04:002022-09-14T08:38:32.854-04:00What could be better than polishing your color grading skills and creating a portfolio with TOP quality videos?<div style="background-color: white; font-family: Arial, Helvetica, sans-serif; text-align: left;"><span style="font-weight: normal;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDOO7KMSgUXC3aHFsAmvxYtRBf2_GZuF_I4ov2YGTF3Y43To06lNha6yyUehss9cHCxUns1WaRs9ya6qwMKWCN--yiLrsxkfyEeu0OVf6Ke9yTWe77iwJBziEL2Rkgo3_CxR6qia1ClslinLbjnmRb6J2rA5IgzBo3K2eYf4vlmVmLdksYmeNy9a32Yw/s1080/promo%201.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDOO7KMSgUXC3aHFsAmvxYtRBf2_GZuF_I4ov2YGTF3Y43To06lNha6yyUehss9cHCxUns1WaRs9ya6qwMKWCN--yiLrsxkfyEeu0OVf6Ke9yTWe77iwJBziEL2Rkgo3_CxR6qia1ClslinLbjnmRb6J2rA5IgzBo3K2eYf4vlmVmLdksYmeNy9a32Yw/s320/promo%201.png" width="320" /></a></div><br /></span></div><div style="background-color: white; font-family: Arial, Helvetica, sans-serif; text-align: left;"><span style="font-size: medium;"><b>FINDSTORY</b> is one of the top stock video platforms that offers carefully crafted cinematic collections, available in up to 6K RAW. We collaborated with <b>FINDSTORY</b> to offer you a special 10% discount on any subscription with this <b>promo code: MEWSHOP </b></span></div><div style="background-color: white; font-family: Arial, Helvetica, sans-serif; text-align: left;"><span style="font-size: medium;"><span style="font-weight: normal;"><br /></span><span style="font-weight: normal;">Check their free collections and start to create with </span><b>FINDSTORY</b><span style="font-weight: normal;">! Go to <a href="http://www.">www.</a></span><span style="color: #1155cc;"><a href="http://findstorynow.com">findstorynow.com</a></span></span></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-2275508889462476542022-03-17T09:06:00.005-04:002022-03-17T09:25:03.883-04:00Go Inside the Cutting Room of Peak TV’s Most Captivating and Compelling Drama Series - "Succession" on March 24th!<p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.eventbrite.com/e/sight-sound-story-live-inside-the-cutting-room-of-succession-tickets-273517717857?aff=mewblog" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1200" data-original-width="1772" height="429" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjItOi2GFNKWSI6axsR6L_M3iGV1zxIcQ67-pEBmVNKHQrD_-t98-ybSBzN7t_ytkNoC6GVJq7ZuOFe9ub-UoUoJ9y83gSZVQjIjme6h4Z9lAXcF1I9UTysDYuc9tnTf7nT61gQWW0Vt-SYkFX8Y_idA0F17-a6zkR9bE5COE1s4H_kXbnjVIsGq_WtTQ/w633-h429/ssslive032422.png" width="633" /></a></div><p></p><p style="text-align: left;"><span style="font-family: arial;"><br /></span></p><p style="text-align: left;"><span style="font-family: arial;">Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues on March 24th with <b>Inside the Cutting Room of “Succession”</b> featuring <b>Editors Ken Eluto, ACE</b>, <b>Bill Henry, ACE</b> and <b>Jane Rizzo </b>with <b>Author & Historian Bobbie O’Steen.</b></span></p><p style="text-align: left;"><span style="font-family: arial;"><b><i><br /></i></b></span></p><p style="text-align: left;"><span style="font-family: arial;"><b><i>Inside Episode XIX: </i></b>This panel focuses on the tragicomic saga of a super rich and powerful family that has riveted HBO audiences for the past three seasons. Join Bobbie O'Steen for a discussion with three of the series masterful editors - Ken Eluto, ACE, Bill Henry, ACE, and Jane Rizzo - who discuss the challenges and rewards of working with constant camera movement, complex plotlines, and multi-layered performances that reveal the many shifting alliances and betrayals in this highly acclaimed series. This is a free online event!</span></p><p style="text-align: left;"><br /><b style="background-color: white; font-family: arial;">When: </b><span style="background-color: white; font-family: arial;">March 24th at 7:30 PM ET</span></p><p><span style="background-color: white;"><span style="font-family: arial;"><b>Where</b>: Online</span></span></p><p><span style="font-family: arial;"><b>Cost: </b>FREE! <i>(but you must register in advance of the event to receive link and password)</i></span></p><p><i><span style="font-family: arial;"><br /></span></i></p><h2 style="text-align: left;"><i><span style="font-family: arial;"><a href="https://www.eventbrite.com/e/sight-sound-story-live-inside-the-cutting-room-of-succession-tickets-273517717857?aff=mewblog" target="_blank">REGISTER HERE</a></span></i></h2>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-85411611187845292512022-02-28T09:29:00.006-05:002022-02-28T09:29:00.231-05:00Go Behind-the-scenes of Creating the Distinct Soundscapes of Amazon’s Hit Fantasy Series "The Wheel of Time"<p style="text-align: left;"><span style="font-family: arial;"><strong style="font-size: 24px; text-align: center;"> </strong></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><strong style="font-size: 24px; text-align: center;"><a href="https://www.eventbrite.com/e/sss-live-soundshow-creating-a-new-sound-universe-for-wheel-of-time-tickets-267065659577?aff=mewblog" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1200" data-original-width="1772" height="360" src="https://blogger.googleusercontent.com/img/a/AVvXsEiORXnxtsiSs9II54qR-yQM3Tjh8PaeFU2rczUrmxwbOt_pShatbJ8TgYAwhNwAU23Iud-Ve-u2sFFmX5rSRWKnLjZmNXAz0FfanV_bzNM0ERcROloai7y6gs8EYWcxVtY9Ppyqjocsper8i7Y6Z5poKnYRombqXkkqXmNP8Gze6OmelGD3FF80rzSsNw=w532-h360" width="532" /></a></strong></span></div><p></p><p style="text-align: left;"><span style="font-family: arial;"><strong style="font-size: 24px; text-align: center;">Sight Sound & Story: Live: SoundShow: Creating a New Sound Universe for "Wheel of Time"</strong></span></p><span style="font-family: arial;"><span style="font-size: 16px;"><br /><strong>Moderator: Woody Woodhall, CAS</strong> (Studio Principal of Allied Post Audio)<br /><br /><strong>Panelists: Sound Designer Luke Gentry</strong> (<em>Aladdin, Hitman's Wife's Bodyguard</em>), <strong>Sound Designer Ben Meechan</strong> (<em>Last Night In Soho</em>), & <strong>Supervising Sound Editor Matt Skelding</strong> (<em>Black Mirror)</em><br /><br /><strong><em>Inside Episode XVIII:</em></strong> Sound is one of the most important elements in film and can be used to elevate a performance, evoke emotions, and make fantasy worlds come alive. Join Emmy-winning Supervising Sound Editor Matt Skelding (Black Mirror), and Sound Designers Luke Gentry (Aladdin, Hitman's Wife's Bodyguard) & Ben Meechan (Last Night In Soho) as they discuss their incredible sound work on Amazon's new fantasy series The Wheel of Time. The conversation will be guided by moderator Woody Woodhall, CAS (Studio Principal of Allied Post Audio), who will discuss with the team how they created the otherworldly ambiance, and bold, unique sound identity for The Wheel of Time. They will also discuss how they collaborated with the showrunners and how they had the freedom to try new things while also sticking with the integrity of the book series the show is based on. Throughout the discussion we will see and hear examples of their extraordinary work in this series.<br /><br /><strong>When:</strong> Wednesday March 2, 2022<br /><strong>Time:</strong> 8PM EST / 5PM PST<br /><strong>General Admission:</strong> FREE!</span><br /><br /><strong><span style="font-size: 20px;"><a data-cke-saved-href="https://www.eventbrite.com/e/sss-live-soundshow-creating-a-new-sound-universe-for-wheel-of-time-tickets-267065659577?aff=filmu" data-saferedirecturl="https://www.google.com/url?q=https://r20.rs6.net/tn.jsp?f%3D0010HCyRPHr7RzZ_15skIMBLineTtircTtXxTogq_ya8Ja2ZKSihJ6VuoNv_KsRFDrAtqoVTXirzdScZVZOabN_cLhvPNoD4u4WiTbzz46dbP6knS8E8yggnnl9YrW9HqYez-jO43dyXSq80SaUAKV2hv_Ye-0bGueNJxcR9SGP4u7RGsZ28HOjDgBvMuLnGWvasPNIUzL_uW1mSrChlu5prk4Bi2CMVWOitrTfsMPWnxThaSixn6wZyJo_wkqaEo36HH0LorYOTrHj4gysf1lj_toaMx8u6u7qxQiQmgZArc0%3D%26c%3D_ovJFGXAJENGKfdZo1SK5DleFT8rW9YG1-6tat_5P5jeRgcf2a9VQg%3D%3D%26ch%3DxxD6t7B9nwxCj6c_m2bn3muj8504iYn43g4sPM2uSJf2X0l1urJXSQ%3D%3D&source=gmail&ust=1645884805921000&usg=AOvVaw3hSDDGOvKeGo_zmr-NZyWB" href="https://www.eventbrite.com/e/sss-live-soundshow-creating-a-new-sound-universe-for-wheel-of-time-tickets-267065659577?aff=mewblog" rel="noopener noreferrer" target="_blank"><span style="color: green;">REGISTER HERE.</span></a></span></strong></span>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-27927806451268930922022-02-25T09:38:00.001-05:002022-02-25T09:41:23.803-05:00TODAY at 2PM EST, "Belfast" & "Death on the Nile" Editor Ùna Ní Dhonghaíle, ACE, Joins Filmmaker U!<p><span style="font-family: arial;"><strong style="text-align: center;"><span style="font-size: 24px;"></span></strong></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: arial;"><strong style="text-align: center;"><a href="https://youtu.be/cYXfDE8cl8M " imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="720" data-original-width="1280" height="334" src="https://blogger.googleusercontent.com/img/a/AVvXsEjVyWEg2_aWstkXP5CBdYaTmHO9rJd1PwPpAK0TXWZwPDvX0iBYROKXef47CQEAZPTirfTjw3xh3M2uZ4NOBnM8S3Vo-JqMhAfAxBvm6mDB--H2uppAI71yHHTNioGDRzIFMG7PRiK6E-aPt3fuTHI8iqum41qHHLtRi1ZY8Nvc2oQxY4kfEBSMl9rrgQ=w593-h334" width="593" /></a></strong></span></div><p></p><p><span style="font-family: arial;"><strong style="text-align: center;"><span style="font-size: 24px;"><br /></span></strong></span></p><p><span style="font-family: arial;"><strong style="text-align: center;"><span style="font-size: 24px;">TODAY at 2PM EST, "Belfast" & "Death on the Nile" Editor Ùna Ní Dhonghaíle, ACE, Joins Filmmaker U!</span></strong></span></p><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div><span style="font-family: arial;"><span style="font-size: 16px;">TODAY at 2PM EST we are joined by "Belfast" & "Death on the Nile" <strong>Editor Ùna Ní Dhonghaíle, ACE</strong>! In this episode we talk with Ùna about her relationship with Director Kenneth Branagh and her own family Irish history how it influenced her work on the critically acclaimed film "Belfast." Tune in!<br /><br />A multi-award-winning editor, <strong>Ùna Ní Dhonghaíle, ACE</strong>, studied Film and Media in her native Dublin and then graduated from the National Film and Television School specialising in film editing. Her TV work has included "The Crown," "Wallander," "Les Misérables," "Ripper Street and Three Girls." She co-directed and edited the award-winning documentary, "Invisible Man." Her film work includes "Misbehaviour," "Stan and Ollie" and two previous films for Kenneth Branagh: "All is True" and "Death on the Nile."</span><br /><br /></span><div><div style="text-align: center;"><span style="font-family: arial;"><br /></span></div><div style="text-align: center;"><span style="font-family: arial;"><span style="font-size: 20px;"><strong>TODAY, February 25th | 2:00 PM EST/ 11:00 AM PST</strong></span><br /><br /></span></div></div></div><div style="text-align: center;"><span style="font-size: 20px;"><strong><span style="font-family: arial;">Use the links below to watch!</span></strong></span></div><div style="text-align: center;"><span style="font-size: 20px;"><strong><span style="font-family: arial;"><br /></span></strong></span></div><div style="text-align: center;"><span style="font-size: 20px;"><strong><span style="font-family: arial;"><br /></span></strong></span></div><div style="text-align: center;"><span style="font-family: arial; font-size: large;"><b><span style="background-color: white; color: #222222; text-align: start;">Watch on YouTube </span></b></span><b style="font-family: arial; font-size: x-large;"><a data-saferedirecturl="https://www.google.com/url?q=https://youtu.be/cYXfDE8cl8M&source=gmail&ust=1645830739160000&usg=AOvVaw2EngYGbSxF6B6BAlJk9fBB" href="https://youtu.be/cYXfDE8cl8M" style="background-color: white; color: #1155cc; text-align: start;" target="_blank">https://youtu.be/cYXfDE8cl8M</a></b><span style="font-family: arial; font-size: large;"><b><span style="background-color: white; color: #222222; text-align: start;"> or on facebook </span><a data-saferedirecturl="https://www.google.com/url?q=https://fb.me/e/66LeIBfFw&source=gmail&ust=1645830739160000&usg=AOvVaw3yRxmwx6ODbra0fzGWyJR3" href="https://fb.me/e/66LeIBfFw" style="background-color: white; color: #1155cc; text-align: start;" target="_blank">https://fb.me/e/66LeIBfFw</a>.</b></span></div><br data-cke-eol="1" />Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-88320731273020525032022-02-07T10:30:00.001-05:002022-02-07T10:30:00.186-05:00ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjQFclUr6b6dP_sN98RI3pCuwRPqhapBdXathEnCwAifb60f9MlV1f9RX-7tR4rNfd_rMGc9hNDETW-xPX1dMjmPpNZ8MisFSMOqtf1ehFQmx9JH57O4gIlLoRj5ztNjgd0VnHCp8gWYUKsuMjObaIxApBcmP3jbVYxd_ibj56fJyfxT0bjn7OgggH_nQ=s1920" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1080" data-original-width="1920" height="261" src="https://blogger.googleusercontent.com/img/a/AVvXsEjQFclUr6b6dP_sN98RI3pCuwRPqhapBdXathEnCwAifb60f9MlV1f9RX-7tR4rNfd_rMGc9hNDETW-xPX1dMjmPpNZ8MisFSMOqtf1ehFQmx9JH57O4gIlLoRj5ztNjgd0VnHCp8gWYUKsuMjObaIxApBcmP3jbVYxd_ibj56fJyfxT0bjn7OgggH_nQ=w464-h261" width="464" /></a></div><br /><span style="background-color: white; font-family: Montserrat, sans-serif; font-size: 11pt; font-weight: 700; text-align: justify; white-space: pre-wrap;">ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL</span><p></p><span id="m_3259686336963519511m_-199238454416935452gmail-docs-internal-guid-ba32df7e-7fff-01db-0ec7-0b6aec55249b" style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"><br /><p dir="ltr" style="color: black; line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;"><span style="font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Newly Redesigned Fellowship Program Provides Mentorship for Assistant, Associate and Emerging Documentary Film Editors from Underrepresented Backgrounds and Experiences </span></p><br /><p dir="ltr" style="color: black; line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;"><span style="font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Open call for submissions begins FEBRUARY 1, 2022</span></p><p dir="ltr" style="color: black; line-height: 1.2; margin-bottom: 0pt; margin-top: 0pt; text-align: justify;"><span style="font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;">Received-by application deadline is MARCH 20, 2022</span></p><br /><span style="color: black; font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;">The Karen Schmeer Film Editing Fellowship is a year-long group mentorship program for documentary assistant, associate and emerging editors from historically underrepresented backgrounds and experiences. Our mission is to cultivate the careers of an inclusive group of emerging and aspiring documentary film editors through mentorship to help them grow as artists and build their community. By investing in editors, we affirm and strengthen the critical role editors play in documentary storytelling. </span><span style="color: black; font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;"> </span><span style="color: black; font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;">Applicants must be based in the U.S., reside there September 2022 – September 2023, have at least two credits as an assistant, associate, additional, co-editor or editor on a feature documentary (but no more than three credits as a co-editor or editor), and come from historically underrepresented backgrounds and experiences including those facing discrimination or barriers due to race, ethnicity, religion, socioeconomics, immigration, disability, age, gender, sexual orientation, and/or gender identity. Deadline is Sunday, March 20, 2022. Vist</span><a data-saferedirecturl="https://www.google.com/url?q=http://www.karenschmeer.com/&source=gmail&ust=1643999788890000&usg=AOvVaw1QEnW47gS-D5JTRIJfvU4D" href="http://www.karenschmeer.com/" style="color: black; text-decoration-line: none;" target="_blank"><span style="font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;"> </span><span style="color: #cc0000; font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; text-decoration-line: underline; vertical-align: baseline; white-space: pre-wrap;">www.karenschmeer.com</span></a><span style="color: black; font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;"> for more details. </span></span><div><span style="background-color: white; color: #222222; font-family: Arial, Helvetica, sans-serif; font-size: small;"><span style="color: black; font-family: Montserrat, sans-serif; font-size: 11pt; font-variant-east-asian: normal; vertical-align: baseline; white-space: pre-wrap;"><br /></span></span></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-55128327755215182672022-02-04T15:39:00.000-05:002022-02-04T15:39:14.642-05:00“Jojo Rabbit” & “The Harder They Fall” Editor Tom Eagles, ACE, Joins Manhattan Edit Workshop as Their Next Artist in Residence<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEjn47bwYCqKqdBFmW1iA3XTF1C3vqmJg0iuOs6EPU108YPX68PpkU80g76By4xEB7eCZ3pNTyflXyBwbn1e5cXUm4BAhg6n8gohn600FQBUARPrja7Y-h_IDgfzPsZUPK3RZTZfFVX0ZyNEG8INQfvbYUE8zb434wSYeSgAjHBrsDDeCY9wsEql2VG9xw=s500" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="500" height="349" src="https://blogger.googleusercontent.com/img/a/AVvXsEjn47bwYCqKqdBFmW1iA3XTF1C3vqmJg0iuOs6EPU108YPX68PpkU80g76By4xEB7eCZ3pNTyflXyBwbn1e5cXUm4BAhg6n8gohn600FQBUARPrja7Y-h_IDgfzPsZUPK3RZTZfFVX0ZyNEG8INQfvbYUE8zb434wSYeSgAjHBrsDDeCY9wsEql2VG9xw=w486-h349" width="486" /></a></div><p><br /></p><p><span style="font-family: arial;"><a href="http://mewshop.com/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #681818; font-size: 18px; overflow-wrap: break-word; text-decoration-line: none; white-space: pre-wrap;">Manhattan Edit Workshop (MEWShop)</a><span style="background-color: white; font-size: 18px; white-space: pre-wrap;">, the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the March 7th class will be Oscar-nominated Editor Tom Eagles, ACE.** </span></span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;"><b>Tom Eagles, ACE,</b> is a film editor hailing from Aotearoa/New Zealand. It was there that he began his collaboration with Taika Waititi, cutting cult comedy "What We Do in the Shadows," "Hunt for the Wilderpeople," and "Jojo Rabbit," for which Eagles was nominated for an Oscar and Bafta, and won an American Cinema Editors’ ‘Eddie’ award. Most recently, his work can be seen in Netflix’s Western hit, "The Harder They Fall." His work with director Roseanne Liang has won awards at Sundance and Toronto film festivals. Eagles’ television credits include "Ash vs Evil Dead," "Spartacus" and FX’s small screen adaptation of "What We Do in the Shadows" and his commercial work for the likes of Michael Gracey and Waititi has won Cannes ‘Lions’ awards.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">The next installment of MEWShop’s Six Week Intensive Workshop will be taught LIVE online beginning on March 7, 2022 and will be held Monday through Friday from 10 AM EST to 6 PM EST. For more information on the Online Six Week Intensive Workshop or to register, please visit <a href="https://www.mewshop.com/six-week-intensive-online" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">https://www.mewshop.com/six-week-intensive-online</a>. “We are very excited to have Editor Tom Eagles as our next Artist in Residence,” says MEWShop Director of Education Janet Dalton. “His long-standing work with acclaimed Director Taika Waititi and his recent editing on the groundbreaking Western “The Harder They Fall” are modern editing at the highest level.” MEWShop’s early bird pricing ends February 15th.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><span style="font-family: arial;"><br /></span></strong></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;"><strong style="overflow-wrap: break-word;">About Manhattan Edit Workshop’s LIVE Online Six Week Intensive Workshop</strong>: The post-production industry is highly competitive, and knowing the industry standards – Premiere Pro, After Effects and Avid Media Composer – is critical for success. MEWShop offers all of this in one comprehensive six-week course, the training that aspiring post-production professionals need in each of these editing applications, taught by certified instructors. </span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">Beyond the creative and technical aspects of editing, a portion of the Six Week Intensive Workshop is focused on the best strategies to secure a job once the class ends. Students will draft cover letters and resumes, which will be refined over the span of the class, and also discuss with instructors about interview strategies and job applications, as well as how to appropriately set rates and find the right work for each graduate’s unique interests. </span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">Our LIVE online workshop will run Monday - Friday from 10am EST - 6pm EST with an hour lunch. All media and projects will be provided online with screenings and discussions occurring on either Zoom or Google Hangout. Students will need to obtain an Avid license from Avid or have or obtain an Adobe Premiere Pro license for the duration of the class. These can be purchased separately, or Manhattan Edit Workshop can direct students to free or temporary options. Please make sure that your home computer specs are up to standard to handle these applications prior to taking the workshop. Manhattan Edit Workshop administration will do a trial run the week before the class begins with each student to verify that everything is working. </span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;"><b> Please visit <a href="https://www.mewshop.com/six-week-intensive-online" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">https://www.mewshop.com/six-week-intensive-online</a></b></span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-3927949223000655482021-12-27T11:09:00.001-05:002021-12-27T11:09:00.170-05:00"CODA" Cinematographer Paula Huidobro Talks About Filmmaking<p><span style="font-family: helvetica;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><a href="https://www.filmmakeru.com/blog/cinematographer_paula_huidobro" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="720" data-original-width="1280" height="355" src="https://blogger.googleusercontent.com/img/a/AVvXsEi3WtE5Xru9uVsW3VebdgzwmLFYW5YvaJPsDG7hNtzIfCS4N7KpbET-OoDMUotedY0SdYGo1_ABNSh7afO2bVKEcWzb89i1BZxlcsJ8wEX3kPh0wgsLaYO6Af7NBmEITBCkkj6QGQHrTSAUCCGGo_cc_Nj7WBmL-Hk5y-tGAdRphXREqj3e8ykA9hKMaQ=w633-h355" width="633" /></a></span></div><span style="font-family: helvetica;"><br /></span><p></p><p><span style="font-family: helvetica;"><span style="background-color: white; box-sizing: inherit; color: #2c3e50; font-size: 18px; font-weight: bolder;">Cinematographer Paula Huidobro</span><span style="background-color: white; color: #2c3e50; font-size: 18px;"> </span><span style="background-color: white; color: #2c3e50; font-size: 18px;">talks with Filmmaker U about the challenges of shooting the recent film "CODA." For this film, Paula had to work with deaf actors, shoot tons of scenes on a boat and many other unique scenarios!</span></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"> </span><em style="box-sizing: inherit; color: #2c3e50;"><span style="font-family: helvetica;">Paula Huidobro was born in Mexico City. She attended the London International Film School and later on specialized in cinematography at The American Film Institute.</span></em></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="box-sizing: inherit; color: #2c3e50;"><em style="box-sizing: inherit;"><span style="font-family: helvetica;">Her feature film debut as a cinematographer was “Gardens of the Night” directed by Damian Harris in 2008, which received a Golden Bear Nomination at the Berlin Film Festival.</span></em></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="box-sizing: inherit; color: #2c3e50;"><em style="box-sizing: inherit;"><span style="font-family: helvetica;">She went on to shoot Paul Bettany’s directorial debut "Shelter" with Jennifer Connelly and Anthony Mackie (TIFF Official Selection), "Tallulah" for Netflix (Jury Grand Prize nominee Sundance Film Festival), and most recently Oh Lucy (Cannes Film Festival Golden Camera Nominee 2017, Critics Week Grand Prize Nominee 2017 and Independent Spirit Awards Nominee 2018). Her latest film is Apple TV’s "CODA."</span></em></span></p><hr style="background-color: white; border-bottom: 0px; border-image: initial; border-left: 0px; border-right: 0px; border-top-color: rgba(0, 0, 0, 0.1); border-top-style: solid; box-sizing: content-box; font-size: 18px; height: 0px; margin-bottom: 1rem; margin-top: 1rem; overflow: visible;" /><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="box-sizing: inherit; color: #2c3e50;"><span style="font-family: helvetica;"> </span></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; color: #2c3e50;"><span style="box-sizing: inherit; font-weight: bolder;">Gordon Burkell (GB) -</span> This week, I'm joined by Paula Huidobro, whose work includes "CODA," "Barry," and "Fargo," among many other great films and shows. Welcome to the show. Paula.</span><br style="box-sizing: inherit;" /><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; color: #2c3e50;"><span style="box-sizing: inherit; font-weight: bolder;">Paula Huidobro (PH) -</span> Thank you very much.</span><br style="box-sizing: inherit;" /><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; color: #2c3e50;"><span style="box-sizing: inherit; font-weight: bolder;">GB -</span> I have to ask you about "Barry," because I love that show. Particularly Season Two, Episode Five. With the little girl who's doing all the stunts and everything. When you got the script, how did you envision shooting that versus how it came out? Because it looks it's it's quite a chaotic and exciting episode, I guess you could say.</span><br style="box-sizing: inherit;" /><br style="box-sizing: inherit;" /><span style="box-sizing: inherit; color: #2c3e50;"><span style="box-sizing: inherit; font-weight: bolder;">PH -</span> I think it was, it was pretty close to the way Bill Hader and I talked about the way we were gonna shoot it. I mean, for him, he didn't want to sort of glorify violence, even though it's all about the violence on the show. So he wanted to do like really long takes composed with them taking time to pan across the room or to track and let the shot play out instead of like covering it in a million pieces. So we watched "The Apartment" and also "Roma" for inspiration. Bill and I thought a lot about that episode, and the little girl was really amazing as well. So she did a bunch of the stunts.</span></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><br /></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="box-sizing: inherit; color: #2c3e50;"><span style="font-family: helvetica;">Read the full article <a href="https://www.filmmakeru.com/blog/cinematographer_paula_huidobro" target="_blank">HERE.</a></span></span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-73837224541522303652021-12-23T11:08:00.002-05:002021-12-23T11:08:32.907-05:00Sight, Sound & Story: Live Goes “Inside the Cutting Room of Sam O’Steen” on November 19th <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://bit.ly/34UjYoB" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1200" data-original-width="1772" height="395" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkHaM9ZH2EXcAQqDZwc9iyy4Ie0NDXmxIrGh82UZctyzWFnseFI0yTKR00_cDyBc1T6Nz134IEROuS5MZJknxROP5KHdq1uFD6Xbsa_odUHdttYouTUbsqAtEbQEv4hzRt-vY4f5XyupEW/w582-h395/ssslive2020ITCRSamOSteen.png" width="582" /></a></div><br /><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: both; text-align: center;"><p class="font_8" style="font-size: 27px;"><span style="font-family: arial;"><span style="font-weight: bold;">Sight, Sound & Story: Live Goes “Inside the Cutting Room of Sam O’Steen”</span></span></p><p class="font_8" style="font-size: 16px;"><span style="font-family: arial;"><span style="font-style: italic;">The Sight, Sound & Story: Live monthly event series continues in November with Author & Film Historian Bobbie O’Steen and a panel of seven editor</span>s</span></p><p class="font_8" style="font-size: 16px; text-align: left;"><span style="font-family: arial;">Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues in November with an in-depth look at the work of legendary editor Sam O’Steen.</span></p><p class="font_8"><span style="font-size: 16px;"></span></p><div style="text-align: left;"><span style="font-family: arial;"><b><i>Inside Episode V</i></b>: This panel will honor legendary editor Sam O’Steen. He first found acclaim for his work in the late 1960s, at a time when the studio system was crumbling, and independent filmmakers were captivating young audiences with personal, provocative narratives and experiments with sound, music, cinematography, and editing. These shifts all elevated the status of the editor. <span style="font-weight: bold;">Bobbie O’Steen</span>, who was Sam’s wife and collaborator, is a film historian whose book, "Cut to the Chase," is filled with Sam's behind-the-scenes stories on such landmark films as “The Graduate,” “Rosemary’s Baby,” and “Chinatown.” She will moderate the panel of seven editors, who will share and discuss specific scenes that show how Sam’s work inspired them. </span></div><p></p><p class="font_8" style="font-size: 16px; text-align: left;"><span style="font-family: arial;">Panelists for this event will include <span style="font-weight: bold;">Michael R. Miller, ACE</span> (“Miller's Crossing, "</span><span style="font-family: arial;">Armageddon”</span><span style="font-family: arial;">), </span><span style="font-family: arial; font-weight: bold;">Darrin Navarro, ACE</span><span style="font-family: arial;"> (“Ballers,” “Mozart in the Jungle”), </span><span style="font-family: arial; font-weight: bold;">Suzana Peric </span><span style="font-family: arial;">(“The Lord of the Rings: The Fellowship of the Ring,” “The Pianist”), </span><span style="font-family: arial; font-weight: bold;">Terilyn Shropshire, ACE</span><span style="font-family: arial;"> (“The Old Guard,” “Eves Bayou”), </span><span style="font-family: arial; font-weight: bold;">Zach Staenberg, ACE</span><span style="font-family: arial;"> (“The Matrix” Trilogy, “Pacific Rim: Uprising”) & more!*</span></p><p class="font_8" style="font-size: 16px; text-align: left;"><span style="font-family: arial;">All attendees who register for this event will receive a link and password to Vimeo Live an hour prior to the event. The event will be live at 5:00 PM EST/ 2:00 PM PST on November 19th. This will gain free access for all attendees who register.</span></p><p class="font_8" style="font-size: 16px; text-align: left;"><span style="font-family: arial;">This event wouldn’t be possible without our Master Storyteller Sponsors: OWC, ZEISS, American Cinema Editors, & EditFest Global; as well as our Technology Sponsor: Shutterstock. </span></p><p class="font_8" style="font-size: 16px; text-align: left;"><span style="font-style: italic;"><span style="font-family: arial;">*All speakers are subject to availability</span></span></p></div></div></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-80220250887925856532021-11-10T12:26:00.001-05:002021-11-10T12:26:00.171-05:00Filmmaker U Announces New Class on Documentary Film Editing with Oscar-nominated and Multiple Emmy-winning Director/Editor Sam Pollard<p><span style="font-family: helvetica; font-size: medium;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica; font-size: medium;"><a href="https://www.filmmakeru.com/sam-pollard" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="393" data-original-width="750" height="332" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPshUjbZfo4ABgZjYimTUXttVVIPKRKdtXL-m9AbOnode08ZBKQeiHcqKizzkDa8Ouh3Cpw0WBoFmVEO7sJgn0rc97pwJ909MlgMFoDImvk337Feyow0rh6XaqtrVdHjlSWyYv95bkYiuo/w632-h332/sampollardpromo%252B-%252BFacebook.png" width="632" /></a></span></div><span style="font-family: helvetica; font-size: medium;"><br /></span><p></p><p><span style="font-family: helvetica; font-size: medium;"><strong style="overflow-wrap: break-word; white-space: pre-wrap;">Filmmaker U</strong><span style="background-color: white; white-space: pre-wrap;"> (</span><a href="http://www.filmmakeru.com/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #681818; overflow-wrap: break-word; text-decoration-line: none; white-space: pre-wrap;">www.filmmakeru.com</a><span style="background-color: white; white-space: pre-wrap;">), the online education series that brings the best in the industry to aspiring filmmakers, announced today that acclaimed </span><strong style="overflow-wrap: break-word; white-space: pre-wrap;">Director/Editor Sam Pollard</strong><span style="background-color: white; white-space: pre-wrap;"> will teach a course in Documentary film editing. Oscar-nominated and multiple Emmy-winning documentary Director/Editor Sam Pollard</span><strong style="overflow-wrap: break-word; white-space: pre-wrap;"> </strong><span style="background-color: white; white-space: pre-wrap;">("Four Little Girls," "When the Levees Broke: A Requiem in Four Acts," "Sammy Davis Jr.: I've Gotta Be Me"),</span><em style="overflow-wrap: break-word; white-space: pre-wrap;"> </em><span style="background-color: white; white-space: pre-wrap;">will take students into the edit suite in an intimate journey through his career, techniques, relationships and decision making process from his storied work. His collaboration with Director Spike Lee and his recent ventures as a Director; will give students an unparalleled look into non-fiction storytelling. Topics include Structure, Directors and Editors Shaping a Film Pacing, Mood, Tone and Texture, Editing Audio, Editing, and much more.</span></span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><em style="overflow-wrap: break-word;"><span style="font-family: helvetica; font-size: medium;">“Samuel Pollard is a master filmmaker,” Spike Lee said, with finality. “If you say he’s just an editor or just a director, that’s not the whole story.” – New York Times</span></em></p><p class="" data-rte-preserve-empty="true" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><span style="font-family: helvetica; font-size: medium;">Learn Documentary Editing with Oscar-nominated and Emmy-winner Sam Pollard Course costs $99 each and includes:</span></strong></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">● 34 video lessons in each course (approximately 4 hours)</span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">● Exclusive audio and video content in the Appendix section </span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">● Additional videos of industry standards and practices</span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">● PDF’s of industry standards and practices</span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">● Glossary of industry terms</span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">● Unlimited access to the class for multiple viewings</span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">● Accessible from any device </span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;"><br /></span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">Sign up now at: <a href="https://www.filmmakeru.com/sam-pollard" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;" target=""><strong style="overflow-wrap: break-word;">https://www.filmmakeru.com/sam-pollard</strong></a></span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><span style="font-family: helvetica; font-size: medium;"><br /></span></strong></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><span style="font-family: helvetica; font-size: medium;">About Sam Pollard</span></strong></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">Sam Pollard is an Emmy Award-winning and Oscar-nominated director and producer. His films for HBO, PBS, and the Discovery Channel include the documentaries “Four Little Girls,” “When the Levees Broke: A Requiem in Four Acts,” “Slavery by Another Name,” “Sammy Davis, Jr.: I Gotta Be Me,” “ACORN and the Firestorm,” “Why We Hate,” “Atlanta's Missing and Murdered: The Lost Children,” and the recently released “MLK/FBI.” Pollard also directed two episodes of the groundbreaking series Eyes on the Prize.<br style="overflow-wrap: break-word;" /> <br style="overflow-wrap: break-word;" />Since 1994 Pollard has served on the faculty of New York University’s Tisch School of the Arts. He is a member of the Academy of Motion Picture Arts and Sciences and lives in New York City.</span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;"> </span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><span style="font-family: helvetica; font-size: medium;">About Filmmaker U</span></strong></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">Filmmaker U is a collaboration of educators and innovators Josh Apter & Jason Banke of <a href="http://www.mewshop.com/" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">Manhattan Edit Workshop</a> and Gordon Burkell at <a href="http://aotg.com/" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">Aotg.com</a>. This online seminar series was created to give aspiring and existing filmmakers unprecedented access to the lost art of apprenticeship in the film industry. Our instructors are acclaimed and award-winning artists who are the best filmmakers in the business. </span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">For more information please visit <a href="http://www.filmmakeru.com/" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">www.filmmakeru.com</a> or contact Jason Banke at <a href="mailto:%20jason@filmmakeru.com" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;" target="">jason@filmmakeru.com</a>.</span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">Follow Filmmaker U at:</span></p><p class="" style="background-color: white; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">Twitter: <a href="https://twitter.com/filmmaker_u" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;" target="">@filmmaker_u</a><br style="overflow-wrap: break-word;" /> Instagram <a href="https://www.instagram.com/filmmaker_u/" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">https://www.instagram.com/filmmaker_u/</a><br style="overflow-wrap: break-word;" /> Facebook <a href="https://www.facebook.com/FilmmakerU" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">https://www.facebook.com/FilmmakerU</a></span></p><p class="" style="background-color: white; margin-bottom: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: helvetica; font-size: medium;">Youtube: <a href="https://www.youtube.com/c/FilmmakerU" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;" target="">https://www.youtube.com/c/FilmmakerU</a></span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-68336577844392933422021-11-09T06:30:00.001-05:002021-11-09T06:30:00.172-05:00"Pen15" and "Little Fires Everywhere" Editor Amelia Allwarden Joins Film U on Tuesday at 2PM EST!<p><span style="background-color: white; color: #222222;"></span></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUp7xQVm7qoU2Iw1WRKHkPtdZYg5KFQqfHyb89FCA9EOTJqQcFOyABvIYnwPi07aqOBqwUMrj_zuvKsCmH3JC4Hkhr5VY7oTrhG4p4qT-78mTA1iWTdEAEEisN8LUetO9w_LlLlFqpZp9/s1280/Amelia+Allwarden+-+PC+-+Youtube.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="354" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhvUp7xQVm7qoU2Iw1WRKHkPtdZYg5KFQqfHyb89FCA9EOTJqQcFOyABvIYnwPi07aqOBqwUMrj_zuvKsCmH3JC4Hkhr5VY7oTrhG4p4qT-78mTA1iWTdEAEEisN8LUetO9w_LlLlFqpZp9/w631-h354/Amelia+Allwarden+-+PC+-+Youtube.png" width="631" /></a></div><br /><p></p><p><span style="background-color: white; color: #222222;"><span style="font-family: arial; font-size: medium;">Join us this Tuesday for a great chat with up and coming Editor Amelia Allwarden! In this episode we talk with Amelia about her start interning through the ACE internship program, growing as an assistant and establishing herself on hit shows like "Pen15," "Little Fires Everywhere," and much more. Tune in! </span></span></p><p><b style="background-color: white; color: #222222; font-family: arial; font-size: large;">Tuesday, November 9th | 2:00 PM EDT / 11:00 PDT</b></p><div style="background-color: white; color: #222222;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="background-color: white; color: #222222;"><span style="font-family: arial; font-size: medium;"><b>You can watch it on Youtube: <a data-saferedirecturl="https://www.google.com/url?q=https://youtu.be/mwI4ONNqqk0&source=gmail&ust=1636158608825000&usg=AFQjCNFeLZvyN1UuOh3SnQDlmrbdMcwIuw" href="https://youtu.be/mwI4ONNqqk0" style="color: #1155cc;" target="_blank">https://youtu.be/<wbr></wbr>mwI4ONNqqk0</a> or on facebook: <a data-saferedirecturl="https://www.google.com/url?q=https://fb.me/e/PbUTgL2S&source=gmail&ust=1636158608825000&usg=AFQjCNF8ivrls49Lz_PnIW6O1CNRBid0Fg" href="https://fb.me/e/PbUTgL2S" style="color: #1155cc;" target="_blank">https://fb.me/e/<wbr></wbr>PbUTgL2S</a></b><br /></span></div><div style="background-color: white; color: #222222;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="background-color: white; color: #222222;"><span style="font-family: arial; font-size: medium;"><br /></span></div><div style="background-color: white; color: #222222;"><span style="font-family: arial; font-size: medium;">#FilmmakerU #FilmU #FilmUChats #Editing #OWC #PoweredByOWC #ACE #AmericanCinemaEditors #Editor #Edit #PostProduction #AmeliaAllwarden #Pen15 #LittleFiresEverywhere #Archive #Westworld #ACEInternship</span></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-80201609678080082322021-11-08T12:14:00.001-05:002021-11-08T12:14:00.179-05:00Sight, Sound & Story: Live Presents “Making it Work: From Cinematographer to Colorist” on November 11th<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://bit.ly/3q6EX2D" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1200" data-original-width="1772" height="424" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhv96SxqEiCK_PlGCBkU4C_xiCul-06DDRs9tE_SXnzoLX3gFp754VZpusnqxUm1rItKX7JmXjWT4bZxXqSvTWV5Gli-8yB8fdxKNTA8ToGFRb2ILpNKvF8lVVwzXh3vP9VgMD-vEWW99OF/w625-h424/ssslive111121.png" width="625" /></a></div><p></p><p style="text-align: center;"><b><span style="font-family: helvetica; font-size: large;"><em><br /></em></span></b></p><p style="text-align: center;"><b><span style="font-family: helvetica; font-size: large;"><em>Go behind-the-scenes with the DP and Colorist of the new Netflix film “Passing”</em></span></b></p><div class="separator" style="clear: both; text-align: center;"><p class="" style="background-color: white; font-size: 18px; margin-top: 0px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"><strong style="overflow-wrap: break-word;">New York, NY – November 4, 2021</strong> - Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues on November 11th behind the look of Netflix’s spectacular new film “Passing” with <strong style="overflow-wrap: break-word;">Cinematographer Edu Grau, ASC</strong>, and </span><strong style="font-family: helvetica; overflow-wrap: break-word;">Colorist Roman Hankewycz</strong><span style="font-family: helvetica;"> with </span><strong style="font-family: helvetica; overflow-wrap: break-word;">Moderator & Colorist Patrick Inhofer</strong><span style="font-family: helvetica;">.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"><strong style="overflow-wrap: break-word;"><em style="overflow-wrap: break-word;">Inside Episode XVI:</em></strong> In this panel, Cinematographer <strong style="overflow-wrap: break-word;">Edu Grau, ASC</strong>, and <strong style="overflow-wrap: break-word;">Colorist Roman Hankewycz</strong> discuss their collaboration to bring Rebecca Hall’s “Passing” a brilliantly stark color palette to elevate the story. Edu will discuss his choice of lensing and their decision to shoot in color, though the finished film would be delivered in B&W, Dolby Vision. Veteran Colorist and Educator <strong style="overflow-wrap: break-word;">Patrick Inhofer</strong> will moderate this in-depth discussion and bring the audience behind-the-scenes of one of the most distinctive looking films of the year! This is a free online event!</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"> </span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">All attendees who register for this event will receive a link and password 30 minutes prior to the event. The event will be available at 5:00 PM EDT/ 2:00 PM PDT on November 11th. This will gain free access for all attendees who register. </span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">This event wouldn’t be possible without our Master Storyteller Sponsors: OWC, American Cinema Editors, & EditFest Global; as well as our Technology Sponsor: AJA Video Systems. We are also grateful for the continued support of our partners ProductionHUB, Digital Cinema Society, Filmmaker U, LAPPG, NYWIFT, Film Fatales, and The D-Word. </span></p><p class="" style="background-color: white; overflow-wrap: break-word; text-align: start;"><span style="font-family: helvetica; font-size: 18px; white-space: pre-wrap;"><b>To register, please go to:</b><a href="https://bit.ly/3wfDZSp" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;"> </a></span><span style="background-color: transparent; font-size: 18px; text-align: center; white-space: pre-wrap;"><span style="color: #681818; font-family: helvetica;">https://bit.ly/3q6EX2D</span></span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"> </span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><em style="overflow-wrap: break-word;"><span style="font-family: helvetica;">About Our Panelists:</span></em></strong></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://bit.ly/3q6EX2D" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="122" data-original-width="181" height="122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdVT-DsmPvp7lVn6Kk5cC9ImCYpafi_Fbt6KvWdiR867Lhb_5cPzoG9KkJQwXLGBMGQzsaE4ITzF1D76C_X4bDPhDMaKekfBfyMXSfou9CYvOgXvmQPw0mFZKPuKSPvNtWYeOo8H11FsH4/s0/EGRAU.png" width="181" /></a></div><span style="font-family: helvetica;"><div style="text-align: left;"><span style="font-size: medium;">Born in Barcelona in 1981, <strong style="overflow-wrap: break-word;">Edu Grau, ASC,</strong> is one of the youngest members of the American Society of Cinematographers. He is mostly known for his adaptable and beautiful style in very different movies such as "A Single Man, Buried, "The Gift," "Suffragette," "Boy Erased," "The Way Back" and "Passing" as well as some European art-house like "Honor de Cavalleria" and "Quién Te Cantará."</span></div></span><p></p><p></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">Edu (short for Eduard) specialized in Cinematography at ESCAC in Barcelona and the NFTS in London, before making his first feature as a director of photography at 23, Honor de Cavalleria, that was selected in Cannes Film Festival 2006. In 2008 Tom Ford fell in love with his reel and brought him to the US to shoot his big break "A Single Man." Edu was 27. The movie, named by Vice one of the ¨30 most beautiful movies of all time,¨ changed Edu's career and put him on the Global map of Cinematographers. He has worked since with some of the biggest stars and talents in the planet, with the likes of Nicole Kidman, Ryan Reynolds, Carey Mulligan, Meryl Streep, Lady Gaga, Ben Affleck, Emily Blunt, Penelope Cruz, Micheal Fassbender, Tessa Thompson, Rebecca Hall, David Oyelowo, Joel Edgerton, Charlize Theron, Sam Rockwell, Margot Robbie, Ruth Negga and Michelle Williams to name a few.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">His range of directors is equally impressive, ranging from art-house cult auteurs like Albert Serra and Carlos Vermut, to powerful visual powerhouses like Tom Ford, Gavin O'Connor and Sarah Gavron, combined with actors turned directors like Joel Edgerton and Rebecca Hall. Throughout his work, he has shown an impressive capability to adapt to the director's visual language while keeping a strong beautiful style that supports the performance of the actors.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">Edu Grau won the Bronze Frog at Camerimage 2011 for his cinematography of Buried, as well as being nominated for the Goya, Gaudí and CECC Awards. He was selected in Competition at Camerimage for his films "A Single Man," "Suffragette," "A Single Shot" and "Animals." He was nominated for a Goya and a Gaudí Award for "Quién te cantará," as well as winning the CECCAward in 2019. He combines features films with TV series and commercials.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"> "Passing," his latest film by Rebecca Hall with Tessa Thompson, Ruth Negga, Bill Camp and Alexander Skarsgârd premiered in Sundance 2021 and was bought by Netflix, which is planning to release the B&W 4:3 movie in the awards season.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><a href="https://bit.ly/3q6EX2D" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="122" data-original-width="181" height="122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGpA1M8riWVH-f3QdMjvoSvD9IPyOYynFLmh8QxqaIEMUTDxdXSg-DtWtn1Fo_BpeKnlqAgo6ThWwYP_qVZAXw9bS4AA2McGtT5gX9iNnMfgFekVdyTB3_sIDXkvDChyUsmugPmwnEUX55/s0/RHANKEWYCZ.png" width="181" /></a></span></div><span style="font-family: helvetica;"><div style="text-align: left;"><span style="font-size: medium;">With over 15 years of experience, <strong style="overflow-wrap: break-word;">Roman Hankewycz</strong></span></div><div style="text-align: left;"><span style="font-size: medium;">started his career in New York City as an editorial assistant, facility engineer, and online editor. As a colorist, Roman’s work blends an aesthetic sensitivity, bolstered by his deep technical understanding which influences his creative approach. "I love the process,” says Hankewycz, “digging into each project, obsessing over pixels, taking the work home, and waking up with new ideas.”</span></div></span><p></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">Roman's reputation of creating purposeful looks and finding elegant solutions to complex technical projects allows him to build long-standing relationships with cinematographers, directors, and visual effects teams.</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">Roman’s recent credits include Netflix’s “Haltson,” A24’s “The Humans,” Rebecca Hall’s “Passing,” Netflix’s “The Secrets We Keep,” Amy Koppleman’s “A Mouthful of Aire,” Netflix’s “Intrusion,” Ari Aster’s “Midsommar,” Starz’s “P-Valley,” Netflix’s “Tiger King,” Tate Taylor’s “Breaking News in Yuba County,” and Ken Burns’ “College Behind Bars.”</span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"><br /></span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;"></span></p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: helvetica;"><a href="https://bit.ly/3q6EX2D" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="122" data-original-width="181" height="122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj99iL-QQftQw7PABgmi3tm-h-T5FuvFhrKw3sWmYafvRn21XvjRrdKFSGv0UYeU9btnSY99oUIbXcXiTtnDg3Lz5hS3YUI13YPiWBUUQCqZdtQKjx4MGgIgv6JDJuFMR7VrJUanhn-EZaM/s0/PINHOFER.png" width="181" /></a></span></div><span style="font-family: helvetica;"><div style="text-align: left;"><span style="font-size: medium;"><strong style="overflow-wrap: break-word;">Patrick Inhofer </strong>is a professional colorist currently residing in Orlando, Florida. He’s a 32-year veteran of the film and television post-production industry. Patrick takes his 15 years of experience working at high-end full-service New York City post houses and delivers those same services to low and mid budget productions, bringing them high-quality images and professional workflows at competitive prices. Since 2010, Patrick has continuously published a weekly free Newsletter for digital video colorists curating the internet for the latest news and high-quality content relevant to professional and aspiring colorists. In 2012, Patrick co-founded MixingLight.com, a membership-based website offering continuing education for professional colorists on the art, craft, and business of digital color grading.</span></div></span><p></p><p class="" id="yui_3_17_2_1_1636041168222_518" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><span style="font-family: helvetica;">Patrick has worked on films, documentaries, television series, corporate videos, promos, and ID packages for a range of clients ranging from broadcast / cable networks, to indie films making the festival circuit, to corporate giants. He’s worked with directors Barry Levinson and Bruce Sinofsky. Other clients include: HBO, NBC, ABC, Showtime, ESPN, Oxygen, AMC, Lifetime, TNT, TBS, National Geographic Channel, Starwood Hotels & Resorts, AOL, TV One, Virgin Records, Hasbro, Brighthouse, Disney+, and many more.</span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: start; white-space: pre-wrap;"><em style="overflow-wrap: break-word;"><span style="font-family: helvetica;">*All speakers are subject to availability </span></em></p></div><span style="font-family: helvetica;"><br /></span><br /><p></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-26971101836853110612021-11-05T10:16:00.001-04:002021-11-05T10:16:04.165-04:00 Academy Award-nominated Editor Christopher Tellefsen, ACE Joins Filmmaker U TODAY at 2PM EDT! <p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR3IUOhCYur83EfENvT0ti9WPWFSPjrPIevyfRhyphenhyphen4LP4mSG9FgtLvxkvgCVKFfArLpe9VI6dosSgypRRvCqx-PAXLrF2FcRkDG32sAIorKIjCPW0NWslRywXDu5dMZu5RYZ_2m4N_3bk1W/s1280/Christopher+Tellefsen+-+PC+-+Youtube.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="720" data-original-width="1280" height="361" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiR3IUOhCYur83EfENvT0ti9WPWFSPjrPIevyfRhyphenhyphen4LP4mSG9FgtLvxkvgCVKFfArLpe9VI6dosSgypRRvCqx-PAXLrF2FcRkDG32sAIorKIjCPW0NWslRywXDu5dMZu5RYZ_2m4N_3bk1W/w642-h361/Christopher+Tellefsen+-+PC+-+Youtube.png" width="642" /></a></div><p></p><p><span style="font-family: arial; font-size: medium;"><span style="background-color: white; color: #050505; white-space: pre-wrap;">Christopher's work includes "A Quiet Place," "Capote," "Moneyball," and the recently released "The Many Saints of Newark"! Joins as Christopher talks about some of his most iconic work, experiences from his amazing career in film and much, much more! </span></span></p><div><span style="font-family: arial; font-size: medium;"><b>November 5th | 2:00 PM EDT/ 11:00 AM PDT</b></span></div><p><span style="font-family: arial; font-size: medium;"><b><span style="background-color: white; color: #222222;">Y</span><span style="background-color: white; color: #222222;">ou can watch it on Youtube: </span><a data-saferedirecturl="https://www.google.com/url?q=https://youtu.be/XldTQvAo76A&source=gmail&ust=1636158608825000&usg=AFQjCNFMawwpN_0tpUpCK6tG5kiOt1BGZQ" href="https://youtu.be/XldTQvAo76A" style="background-color: white; color: #1155cc;" target="_blank">https://youtu.be/<wbr></wbr>XldTQvAo76A </a><span style="background-color: white; color: #222222;"> or on facebook: </span><a data-saferedirecturl="https://www.google.com/url?q=https://fb.me/e/1JDUL2tvs&source=gmail&ust=1636158608825000&usg=AFQjCNGXteD8WhV3UkMGmcM2bUlfF6A4gg" href="https://fb.me/e/1JDUL2tvs" style="background-color: white; color: #1155cc;" target="_blank">https://fb.me/e/<wbr></wbr>1JDUL2tvs</a></b></span></p><p><span style="font-family: arial; font-size: medium;"><br /></span></p><div class="bi6gxh9e" data-block="true" data-editor="dkkif" data-offset-key="7tqpb-0-0" style="background-color: white; color: #050505; margin-bottom: 8px; white-space: pre-wrap;"><div class="_1mf _1mj" data-offset-key="7tqpb-0-0" style="direction: ltr; position: relative;"><span style="font-family: arial; font-size: medium;"><span class="diy96o5h" end="11" start="0" style="background-color: var(--text-highlight);">#FilmmakerU</span><span data-offset-key="7tqpb-1-0"> </span><span class="diy96o5h" end="18" start="12" style="background-color: var(--text-highlight);">#FilmU</span><span data-offset-key="7tqpb-3-0"> </span><span class="diy96o5h" end="30" start="19" style="background-color: var(--text-highlight);">#FilmUChats</span><span data-offset-key="7tqpb-5-0"> </span><span class="diy96o5h" end="39" start="31" style="background-color: var(--text-highlight);">#Editing</span><span data-offset-key="7tqpb-7-0"> </span><span class="diy96o5h" end="44" start="40" style="background-color: var(--text-highlight);">#OWC</span><span data-offset-key="7tqpb-9-0"> </span><span class="diy96o5h" end="58" start="45" style="background-color: var(--text-highlight);">#PoweredByOWC</span><span data-offset-key="7tqpb-11-0"> </span><span class="diy96o5h" end="63" start="59" style="background-color: var(--text-highlight);">#ACE</span><span data-offset-key="7tqpb-13-0"> </span><span class="diy96o5h" end="86" start="64" style="background-color: var(--text-highlight);">#AmericanCinemaEditors</span><span data-offset-key="7tqpb-15-0"> </span><span class="diy96o5h" end="94" start="87" style="background-color: var(--text-highlight);">#Editor</span><span data-offset-key="7tqpb-17-0"> </span><span class="diy96o5h" end="100" start="95" style="background-color: var(--text-highlight);">#Edit</span><span data-offset-key="7tqpb-19-0"> </span><span class="diy96o5h" end="116" start="101" style="background-color: var(--text-highlight);">#PostProduction</span><span data-offset-key="7tqpb-21-0"> </span><span class="diy96o5h" end="138" start="117" style="background-color: var(--text-highlight);">#ChristopherTellefsen</span><span data-offset-key="7tqpb-23-0"> </span><span class="diy96o5h" end="151" start="139" style="background-color: var(--text-highlight);">#AQuietPlace</span><span data-offset-key="7tqpb-25-0"> </span><span class="diy96o5h" end="174" start="152" style="background-color: var(--text-highlight);">#TheManySaintsOfNewark</span><span data-offset-key="7tqpb-27-0"> </span><span class="diy96o5h" end="185" start="175" style="background-color: var(--text-highlight);">#Moneyball</span><span data-offset-key="7tqpb-29-0"> </span><span class="diy96o5h" end="193" start="186" style="background-color: var(--text-highlight);">#Capote</span><span data-offset-key="7tqpb-31-0"> </span><span class="diy96o5h" end="216" start="194" style="background-color: var(--text-highlight);">#ThePeopleVsLarryFlynt</span></span></div></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-78114324657465263462021-07-22T10:00:00.002-04:002021-07-22T10:00:00.205-04:00Color Grading and Career Advice with "Mad Max: Fury Road" Colorist Eric Whipp<p> </p><img class="img-fluid" src="https://kajabi-storefronts-production.kajabi-cdn.com/kajabi-storefronts-production/blogs/5169/images/MDZiZ4AaQsaBsC8s65pw_ewhipp.jpg" style="background-color: white; border-style: none; box-sizing: inherit; display: block; font-family: "Open Sans"; font-size: 18px; height: auto; margin: 1rem auto; max-width: 100%; vertical-align: middle;" /><h3 style="background-color: white; box-sizing: inherit; font-family: "Open Sans"; font-size: 30px; line-height: 1.3; margin-bottom: 1rem; margin-top: 1rem; text-align: center;"> </h3><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span class="style-scope yt-formatted-string" dir="auto" style="box-sizing: inherit;"><span style="font-family: helvetica;">Colorist Eric Whipp joined Gordon Burkell to answer questions about <em style="box-sizing: inherit;">Mad Max: Fury Road</em>, Color Correction, and give career advice. Eric talks about his workflow while working remotely, as well as the delicate balance of working with clients. If you want to learn more directly from Eric on his processes, his insights and his vast amount of experiences; check out our online class with Eric <span style="box-sizing: inherit; font-weight: bolder;"><a href="https://www.filmmakeru.com/eric-whipp" rel="noopener noreferrer" style="background-color: transparent; box-sizing: inherit; color: #ed1619; margin-bottom: 1rem; margin-top: 1rem; text-decoration-line: none; touch-action: manipulation; transition: all 0.1s ease 0s;" target="_blank" title="Eric Whipp Filmmaker U Course">here</a></span>.</span></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><em style="box-sizing: inherit;"><span class="style-scope yt-formatted-string" dir="auto" style="box-sizing: inherit;">Eric Whipp was born in Auckland, New Zealand, and raised in Australia. He became a colorist in the 1990s and helped George Miller with his Oscar-winning film, Happy Feet. Today he is a Co-Founder and Senior Colorist at Alter Ego in Toronto, Canada. He reunited with George Miller for the ground-breaking film Mad Max: Fury Road. He most recently finished The Lego Movie 2: The Second Part.</span></em> </span></p><hr style="background-color: white; border-bottom: 0px; border-image: initial; border-left: 0px; border-right: 0px; border-top-color: rgba(0, 0, 0, 0.1); border-top-style: solid; box-sizing: content-box; font-size: 18px; height: 0px; margin-bottom: 1rem; margin-top: 1rem; overflow: visible;" /><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Gordon Burkell (GB)</span> - Hi everyone, I'm Gordon Burkell from Filmmaker U. At <a class="vglnk" href="http://filmmakeru.com/" rel="nofollow" style="background-color: transparent; box-sizing: inherit; color: #ed1619; margin-bottom: 1rem; margin-top: 1rem; text-decoration-line: none; touch-action: manipulation; transition: all 0.1s ease 0s;"><span style="box-sizing: inherit;">FilmmakerU</span><span style="box-sizing: inherit;">.</span><span style="box-sizing: inherit;">com</span></a> we create courses for film professionals to deepen and diversify their existing skill set. Every week on Friday at 2pm Eastern time we go live with a film professional to give you a chance to ask your questions. Now today we're joined by Eric Whipp, and Eric's the colorist for <em style="box-sizing: inherit;">Mad Max Fury Road</em>, <em style="box-sizing: inherit;">The Lego Movie 2: The Second Part</em>, <em style="box-sizing: inherit;">Happy Fee</em>t I & II, and he's also one of the Co-owners of Alter Ego post here in Toronto. Hi, Eric. Welcome to filmmaker U live.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Eric Whipp (EW)</span> - Thank you.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">GB - </span>I guess I'll start off with a question about which section of <em style="box-sizing: inherit;">Mad Max: Fury Road</em> was the most difficult for you to color?</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">EW - </span>Good question. It was it was the day for night section when you going into the movie that that was going to be was challenging because the the whole scene was shot during the daytime and it was two to three stops overexposed so it looked nothing like night. So that was a challenge but we had a great method. The idea of it was to overexpose the footage by a couple of stops, which means you have lots of range in your shadows. Then but you don't clip your highlights, make sure that if someone was on set watching scopes and making sure nothing was being clipped. Then in the grade we were able to take that shot, expose it down and got a nice creaminess to it but then we can go in and isolate anything we want in the shadows and lift them up and get all the little bits of detail in there. So you end up with a very, you know, affected kind of look, but it works really well. But to do that It requires a ton of more though. So it took, you know, we knew it going into it. So that was we were like, alright, that aside a few months here, and we'll work on that scene.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;">Continue Reading <a href="https://www.filmmakeru.com/blog/colorist_eric_whipp" target="_blank">HERE</a>.</span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-52293251647137603112021-07-15T10:00:00.000-04:002021-07-15T10:00:00.203-04:00Inside the World of Color with Acclaimed Colorist Stephen Nakamura<img class="img-fluid" src="https://kajabi-storefronts-production.kajabi-cdn.com/kajabi-storefronts-production/blogs/5169/images/CwAb4vdiSwORcJJ0HhxY_Stephen-Nakamura-Exposure.jpg" style="background-color: white; border-style: none; box-sizing: inherit; display: block; font-family: "Open Sans"; font-size: 18px; height: auto; margin: 1rem auto; max-width: 100%; vertical-align: middle;" /><h3 style="background-color: white; box-sizing: inherit; font-size: 30px; line-height: 1.3; margin-bottom: 1rem; margin-top: 1rem; text-align: center;"><span style="font-family: helvetica;"> </span></h3><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span class="style-scope yt-formatted-string" dir="auto" style="box-sizing: inherit;"><span style="font-family: helvetica;">Colorist Stephen Nakamura spoke with Filmmaker U to talk about his prolific career. His feature film credits include <em style="box-sizing: inherit;">Da Five Bloods, Sicario: Day of the Soldado, It: Chapter Two, Crazy Rich Asians, The Martian, Alien: Covenant</em> and many more blockbuster epics and award winners.</span></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span class="style-scope yt-formatted-string" dir="auto" style="box-sizing: inherit;"><span style="font-family: helvetica;">Among the most accomplished feature film colorists in Hollywood, Stephen Nakamura has worked alongside directors such as David Fincher, Ridley Scott, Kathryn Bigelow, Spike Lee, David O. Russell, and Steven Spielberg, as well as cinematographers Dariusz Wolski, ASC, Claudio Miranda, ASC, Robert Richardson, ASC, and Janusz Kaminski. </span></span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;">Prior to joining Company 3, Nakamura was with Technicolor Digital Services, where he got his start in feature film finishing. Previously he was a colorist with the Post Group, working on commercial, music video, television and feature film projects. He began his career at California Video Center.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;">--- </span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Gordon Burkell (GB)</span> - Hi everyone, I'm Gordon Burkell with Filmmaker U. At Filmmaker U we create courses for film professionals to deepen and diversify their existing skill set. Every week we go live Friday at 2pm with a film professional to chat and give you a chance to join us and ask questions. Today I'm being joined by Stephen Nakamura, the colorist for <em style="box-sizing: inherit;">Fight Club</em>, <em style="box-sizing: inherit;">Kill Bill I & II</em>, <em style="box-sizing: inherit;">It</em>, and more recently to <em style="box-sizing: inherit;">Da Five Bloods</em>, among many others. Stephen, thanks for coming on the show.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Stephen Nakamura (SN) - </span>Sure. Glad to be here. Thank you.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">GB</span> - I've listed off a lot of films here. But one of the things I've noticed is there in a couple situations, you've actually got directors that you have long time worked with including David Fincher and Ridley Scott. I don't hear that as much with colorists and I'm wondering how did these relationships evolve? How do you go about developing relationships like that, so that they last long term?</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">SN - </span>Well, I think the real key for colorist is you really need to get in tune with the director sensibility. Most people go back to the same person that cuts their hair, right, because you don't have to tell this person how to cut your hair, it's a lot because they know what I like. It's really your ability.</span></p><p><span style="background-color: white; font-size: 18px;"><span style="font-family: helvetica;">When we're on this side of the production and post production, to really say. Hey, I'm going to try to get in tune with this director, and what their sensibilities are. And once you can connect that way, then there's a real shorthand for communication. Which makes it really simple for them, you know, because they're, typically during the finishing process, they're doing the mix. They're doing audio. They're finalizing visual effects. So they're working on in a whole bunch of different areas. I think the last thing they really want is to just be doing more minutia stuff with color. So if they have a shorthand with their colorists, and they kind of trust it, their colorists can paint pictures for them that the way that they find pleasing for a particular movie that they're doing, then they'll come back. Especially if you make their lives easy for them also.</span></span></p><p><span style="font-family: helvetica;">Continue Reading <a href="https://www.filmmakeru.com/blog/colorist_stephen_nakamura" target="_blank">HERE</a>. </span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-53963544872986052742021-07-12T10:00:00.004-04:002021-07-12T10:00:00.202-04:00Take a Look Behind the Green Screen with HBO Visual Effects Artist Debra Khoo-Jeffrey<p> </p><img class="img-fluid" src="https://kajabi-storefronts-production.kajabi-cdn.com/kajabi-storefronts-production/blogs/5169/images/lIhFDz5TykXRXSyDVJgG_deb.jpg" style="background-color: white; border-style: none; box-sizing: inherit; display: block; font-size: 18px; height: auto; margin: 1rem auto; max-width: 100%; vertical-align: middle;" /><span style="background-color: white; font-family: helvetica; font-size: 18px;">Filmmaker U recently spoke with Visual Effects Artist Debra Khoo-Jeffrey. In this chat we spoke with Debra about immigrating to New York from Malaysia, working remotely and her various projects she at HBO.</span><p class="p1" style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><em style="box-sizing: inherit;"><span style="font-family: helvetica;">Debra Khoo is a visual effects artist at HBO Hudson Yards, NY with nearly 20 years of experience in motion graphics, animation, compositing and rotoscoping. She works mainly in After Effects, Cinema 4D, and Boris FX Mocha Pro. Her credits include "From The Earth to the Moon" (Limited Series), "Game of Thrones: The Last Watch," "First Cow" (movie), and handling many promos for HBO, HBO Latino, and HBO Sports.</span></em></p><p class="p1" style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"> </span></p><p class="p1" style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Gordon Burkell (GB)</span> - Welcome to Filmmaker U! At <a class="vglnk" href="http://filmmakeru.com/" rel="nofollow" style="background-color: transparent; box-sizing: inherit; color: #ed1619; margin-bottom: 1rem; margin-top: 1rem; text-decoration-line: none; touch-action: manipulation; transition: all 0.1s ease 0s;"><span style="box-sizing: inherit;">filmmakerU</span><span style="box-sizing: inherit;">.</span><span style="box-sizing: inherit;">com</span></a> we bring the top people in the film industry to discuss their craft and how they approach working in the industry. This week, we have Debra Khoo-Jeffrey. Thanks for coming to the show!</span></p><p class="p2" style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Debra Khoo - Jeffrey (DKJ)</span> - Thanks for having me. Nice to meet you.</span></p><p class="p2" style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">GB</span> - It's great to meet you. You're currently living in the U.S, but where did you get your start in the industry?</span></p><p class="p1" style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">DKJ</span> - After graduating from RMIT in Melbourne, in 2000, I took up computer arts. At that time Pixar was just starting with Luxo Jr, that was that little creature who kept hopping on Pixar. So instead of hand drawn traditional art where you use markers and paper, I used the computer. So that's what I chose to study.</span></p><p class="p1" style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><b>GB</b> - Where did you come from originally?</span></p><p><span style="background-color: white; font-size: 18px;"><span style="font-family: helvetica;"><b>DKJ</b> - I came from Malaysia. Currency wise, it's not as strong as most countries. So getting Adobe software and Flame Autodesk, it was quite an expensive field to take on. My first job was at one of the top five post-production boutiques facilities called the HQ Pose. They specialize in TV commercials, and at that time, Dunhill cigarette ads were big. Motion graphic designers did not really exist and it was at its birthing stage. From then on, I learned mounting storyboards, Photoshop, printing it out, and then started to do style frames. Then began to do text graphics elements for online compositors which at that time it was Henry. So that was fun! I got exposed to Flame and I was like, "Why is everyone calling smoke flame? Then after 13 years, I think in 2014 I migrated to the states.</span></span></p><p><span style="font-family: helvetica;">Continue reading <a href="https://www.filmmakeru.com/blog/vfx_artist_debra_khoo_jeffrey" target="_blank">HERE.</a></span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-15302047639138079032021-07-07T10:00:00.001-04:002021-07-07T10:00:00.233-04:00Academy Award-winning Sound Designer of "Hugo" Eugene Gearty Talks Sound in Film<p> </p><img class="img-fluid" src="https://kajabi-storefronts-production.kajabi-cdn.com/kajabi-storefronts-production/blogs/5169/images/EodOt779Q02zjPjpnXGa_eugene_1.jpeg" style="background-color: white; border-style: none; box-sizing: inherit; display: block; font-family: "Open Sans"; font-size: 18px; height: auto; margin: 1rem auto; max-width: 100%; vertical-align: middle;" /><span style="background-color: white; font-family: "Open Sans"; font-size: 30px; text-align: center;"> </span><span style="background-color: white; font-family: "Open Sans"; font-size: 18px;">Oscar-winning sound designer</span><span style="background-color: white; font-family: "Open Sans"; font-size: 18px;"> </span><span style="background-color: white; box-sizing: inherit; font-family: "Open Sans"; font-size: 18px; font-weight: bolder;">Eugene Gearty</span><span style="background-color: white; font-family: "Open Sans"; font-size: 18px;">, joined Filmmaker U to discuss staying focused during the COVID-19 pandemic, getting the job you want, and to answer our questions about the world of Sound in film. If you want to learn more directly from Eugene on his processes, his insights and his vast amount of experiences; check out our online class with Eugene</span><span style="background-color: white; font-family: "Open Sans"; font-size: 18px;"> </span><a href="https://www.filmmakeru.com/eugene-gearty" rel="noopener noreferrer" style="box-sizing: inherit; color: #ed1619; font-family: "Open Sans"; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem; text-decoration-line: none; touch-action: manipulation; transition: all 0.1s ease 0s;" target="_blank" title="Eugene Gearty Class"><span style="box-sizing: inherit; font-weight: bolder;">here</span></a><span style="background-color: white; font-family: "Open Sans"; font-size: 18px;">.</span><p style="background-color: white; box-sizing: inherit; font-family: "Open Sans"; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><em style="box-sizing: inherit;"><span class="style-scope yt-formatted-string" dir="auto" style="box-sizing: inherit;">Starting in 1982 Eugene Gearty was one of the first digital Sound Editor/Designers in the film industry. He pioneered the use of the access and the Synclavier systems for use in creating and editing sound effects for movies such as "Silence of the Lambs," "Do The Right Thing," "Men in Black," and "The Hudsucker Proxy." He has worked with many New York directors including Joel & Ethan Coen, Jim Jaramusch and Lee Daniels. He has been nominated for an Academy Award 3 times and won an Oscar for "Hugo." He has won the Golden Lion (Taiwan) and the Hong Kong “Oscar"(China) for "Crouching Tiger/Hidden Dragon." He has also won the MPSE golden reel for Sound Effects editing for "The Aviator." His Television credits include Boardwalk Empire for which he received an Emmy for his work on the Martin Scorsese directed pilot. After being nominated for an Oscar in 2013 for his work on Ang Lee’s "Life of Pi," he has since worked on Scorsese's "The Wolf of Wall Street" "Silence," and "The Irishman." Other recent work includes "Gemini Man," "Mary Poppins Returns," and "The Nutcracker." He has also helped develop the Savannah College of Art and Design on expanding their Sound Design program.</span></em><br style="box-sizing: inherit;" /><br style="box-sizing: inherit;" /></p><hr style="background-color: white; border-bottom: 0px; border-image: initial; border-left: 0px; border-right: 0px; border-top-color: rgba(0, 0, 0, 0.1); border-top-style: solid; box-sizing: content-box; font-family: "Open Sans"; font-size: 18px; height: 0px; margin-bottom: 1rem; margin-top: 1rem; overflow: visible;" /><p style="background-color: white; box-sizing: inherit; font-family: "Open Sans"; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"> </p><p style="background-color: white; box-sizing: inherit; font-family: "Open Sans"; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="box-sizing: inherit; font-weight: bolder;">Gordon Burkell (GB)</span> - Hi everyone, it's Gordon Burkell here from Filmmaker U! At <a class="vglnk" href="http://filmmaker.com/" rel="nofollow" style="background-color: transparent; box-sizing: inherit; color: #ed1619; margin-bottom: 1rem; margin-top: 1rem; text-decoration-line: none; touch-action: manipulation; transition: all 0.1s ease 0s;"><span style="box-sizing: inherit;">filmmaker</span><span style="box-sizing: inherit;">.</span><span style="box-sizing: inherit;">com</span></a>, we create courses for film professionals to deepen and diversify their existing skill set. Today, we're talking to Eugene Gearty, who has worked on some of the best films of the last 30 or 40 years. So before we open things up, I guess, give us a sense of what's going on on your end, in terms of sound and what's happening with COVID-19.</p><p style="background-color: white; box-sizing: inherit; font-family: "Open Sans"; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="box-sizing: inherit; font-weight: bolder;">Eugene Gearty (EG)</span> - For me it's been a little rough schedule wise, although I am very fortunate to be working, helping Terry Malick on his next film, and it's truly an honor to to work with one of my film director idols that I just, you know, think is a true artist working. I can't talk too much about the project, but I've been helping them with their rough cut. It's just sounds so they can help them edit the picture. It's not necessarily going to be in the final, but it's like temp music in a way.</p><p style="background-color: white; box-sizing: inherit; font-family: "Open Sans"; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="box-sizing: inherit; font-weight: bolder;">GB</span> - What's your go to hobby to relax?</p><p><span style="box-sizing: inherit; font-family: "Open Sans"; font-size: 18px; font-weight: bolder;">EG</span><span style="background-color: white; font-family: "Open Sans"; font-size: 18px;"> </span><span style="background-color: white; font-family: "Open Sans"; font-size: 18px;">- We're in a community where we can walk the dog. I go up to the driving range and hit golf balls and play rounds of golf in the late afternoon. That's sort of my go to hobby because I'm kind of naturally addicted to that. That type of golf is like, compulsive, short of that that, fly fishing for sure! Out back I'm on my boat as much as possible.</span></p><p>Continue reading <a href="https://www.filmmakeru.com/blog/sounddesigner_eugene_gearty">HERE.</a></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-29052925818178090612021-07-02T10:00:00.002-04:002021-07-02T10:00:00.196-04:00Academy Award-winning "Star Wars" Editor Paul Hirsch, ACE, Joins Filmmaker U at 2PM EDT TODAY!<ytcp-img-with-fallback class="style-scope ytcp-thumbnail" image-ready="" retry="" rounded="">
</ytcp-img-with-fallback><div class="separator" style="clear: both; text-align: center;"><a href=" https://youtu.be/rNYDU53w2ts " imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="628" data-original-width="1200" height="314" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhC3W5kmwIFx3bktayS04f1HPFnOWW7pTQkU0AU58dkgVSXHq65ET-kAuGNqfxPAKIy97e_ruuLuPFAQ-JXuOMnUGA9RP1_vLx0d6vqT5Ze9MhJkgB40ZJH36x0dMvwGcclEBkOruxE-Dkb/w602-h314/Paul+Hirsch+-+PC+-+Facebook.png" width="602" /></a></div><p><span style="font-family: helvetica;">We are super excited to be joined by legendary Editor Paul Hirsch, ACE
live on July 2nd at 2PM EDT! We will dive deep into his film career
& experiences; as well as his new book. Join us live to ask
questions and hear from one of the best! </span></p><h2 style="text-align: center;"><b><span style="font-family: helvetica;">LIVE - Friday, July 2nd | 2:00 PM EDT/ 11:00 AM PDT</span></b></h2><h2 style="text-align: center;"><b><span style="font-family: helvetica;"><br /></span></b><span style="font-family: helvetica;"><b>Join the conversation here: </b><a class="style-scope ytcp-video-info" href="https://youtu.be/rNYDU53w2ts" target="_blank">https://youtu.be/rNYDU53w2ts</a></span></h2><div class="label style-scope ytcp-video-info"></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-67824091900592673822021-06-29T11:56:00.003-04:002021-06-29T11:56:48.483-04:00Three-time Emmy-nominated Cinematographer Bob Richman Discusses his Career<p> </p><p><img class="img-fluid" src="https://kajabi-storefronts-production.kajabi-cdn.com/kajabi-storefronts-production/blogs/5169/images/Mbgy5Yq9QreQ2AW1eJgd_Bob_Richman_The_Price_of_Everything_Film.jpg" style="background-color: white; border-style: none; box-sizing: inherit; display: block; font-family: "Open Sans"; font-size: 18px; height: auto; margin: 1rem auto; max-width: 100%; vertical-align: middle;" /></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;">Three-time Emmy-nominated Cinematographer Bob Richman joined us to discuss his work on "The September Issue," "Metallica: Some Kind of Monster,"and the award-winning Documentary "Paradise Lost: The Child Murders at Robin Hood Hills" and his decades shooting documentary films.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><em style="box-sizing: inherit;"><span class="style-scope yt-formatted-string" dir="auto" style="box-sizing: inherit;"><span style="font-family: helvetica;">Cinematographer Bob Richman began his film career working with vérité pioneers Albert and David Maysles, quickly transitioning from production assistant to camera assistant then operator. Finally he made the leap to director of photography on the Maysles’ "Umbrellas," which chronicled artist Christo’s installation of three thousand umbrellas north of Los Angeles and Tokyo. Today, Richman is an Emmy-nominated and Sundance award-winning cinematographer on almost a hundred documentaries including: Davis Guggenheim’s "An Inconvenient Truth" and "Waiting for Superman," Nathaniel Kahn’s "My Architect," Joe Berlinger and Bruce Sinofsky’s HBO films "Paradise Lost" 1, 2 & 3 and "Metallica: Some Kinda Monster," RJ Cutler’s "The September Issue," "Oprah’s Master Class" and Sundance Channel’s "Iconoclasts."</span></span></em></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;">---</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Gordon Burkell (GB)</span> - At Filmmaker U, we create courses for film professionals to deepen and diversify their existing skill set. Every Friday we invite a film professional to chat with us. Today I am joined by Bob Richman, the cinematographer for some incredible documentaries such as "Metallica: Some Kind of Monster," "The September Issue," "An Inconvenient Truth," and "Paradise Lost."</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;">Bob, when you are preparing for a shoot with a new director, how do you get inside the director’s head so that you understand what they're going for with the film?</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">Bob Richman (BR)</span> - At this point, directors usually understand what I do and they hire me because of that. In a vérité situation, I really consider myself a co-director. It's like basketball, the coach can tell the player when to shoot and where to go, but he has to trust the player knows what he is doing. The director has to trust me. Having said that, every director is different. I've been working with Joe Berlinger for years and we're usually on the same page. I worked with Nathaniel Kahn, the director of "My Architect," and the way we worked is that we would talk before shooting, and then we talk after shooting, very rarely did we talk during the filming. We'll talk about what we think we're going to get but there's always that danger of taking too much about what you think you are going to get because things never quite turn out the way you expect. Oftentimes, you can make the mistake of missing something important because you've thought too much ahead of time about what you think a scene is going to give you. Something happens and at the time it doesn't seem like it's relevant and so you don't shoot it. Then later on, you say that was important! Every time I am in Sundance, they send these questions around for all the DPs and it's the same question. They always ask me do I bake-in the look. If you're doing a feature film and narrative film, you need to think about how it should look, but if you're doing a vérité film, you don't even know how the film is going to turn out! So you just want to make it look good. You don't want to bake in any look that isn't appropriate until you know what the finished film is. So it's always an act of discovery. At least that's the way I look at documentaries. That's what makes them fun for me. That it is a journey you go on with the director.</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">GB</span> - You and I have been chatting about teaching. One of the scenes I show in my class is from "Harlan County, USA" and it's the union scene just before the gunshot goes off. The reason I show that is because of the way the cinematographer was able to capture all the people in the union meeting. It seemed as if the cinematographer knew who each individual was and how they would play out in the edit. How much research do you do beforehand so you know each of the people in a large situation like that? How much is it based on what's happening live?</span></p><p style="background-color: white; box-sizing: inherit; font-size: 18px; margin-bottom: 1rem; margin-top: 1rem;"><span style="font-family: helvetica;"><span style="box-sizing: inherit; font-weight: bolder;">BR</span> - Usually, I don't! Hopefully the director has done that research. That's the wonderful thing that a director can do for a cinema vérité cinematographer is to build trust with the characters. Start by building trust, and getting to know who the characters are. You never know what character will emerge. You might assume that one person will be the lead character, but then some other character emerges and dominates the film. That's where a director has to really have discipline to say, "Okay, the film's going to be about this person. Even though I got great footage of these other people, this is who the film is about." I have to build my own trust with the director and my sound person, because trust is really the glue that holds those type of films to together and trust takes time. The first few times I film someone it is oftentimes awkward, and not great. Then as time goes on, if you've done your job right, and you have built trust, and love, they open up more and more. You get to know them, and they get to know you. Oftentimes right at the end, the last filming you do, it's like peeling away an onion. You say, oh, now I'm getting it. What happens to me often is, I get to that point, and then the film's over, and then I have to start another film and I can't understand why I’m not getting this great footage. I forget the process of building trust, to get to that point where somebody opens up to you.</span></p><p><span style="font-family: helvetica;">Read the full article <a href="Join Zoom Meeting https://us02web.zoom.us/j/9688281378" target="_blank">HERE</a>.</span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-81041333568076951782021-04-01T05:31:00.000-04:002021-04-01T05:31:07.785-04:00Tech Talk: Live with AJA - Remote Workflows and Solutions on April 7th at 5PM EDT!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.facebook.com/events/592260944990772/" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="758" data-original-width="1351" height="280" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggVlJC50ZCfzG3nO2eIkLy1mlUPYuCVVDEW_WO98L2y5eLvexWpWYaQHK8J7Lzsmes5fr3_oC2yFaYoJNGbq3r4vps0wPTVgQIfXBKttAA7PZIO27uS6Ts7KLrLiB5IF3bn244Ow08SO8N/w498-h280/test5.jpg" width="498" /></a></div><p></p><p style="text-align: left;"><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;"><b>Join AJA Product Marketing Manager Andy Bellamy as he walks you through a few tips and tricks to set up or optimize your remote workflow.</b></span></p><p style="text-align: left;"><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;">In the last year, remote post workflows have quickly evolved from a luxury to a necessity amidst the global pandemic. As more post shops, editorial facilities and freelancers across the industry have pivoted to remote setups to ensure team safety, the advantages of working this way have become clear, whether the ability to tap into a broader talent pool for projects and cost-efficiency for shops or the convenience offers individual creatives. Although setting up a remote workflow can seem overwhelming at first, with so many considerations and a plethora of available gear options, getting started doesn’t have to be complicated, and even if you’re already working remotely, there are subtle tweaks you can make to improve your existing workflow.</span></p><p style="text-align: left;"><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;"><b>FREE LIVE EVENT | April 7th, 2021 | 5:00 PM EDT/ 2:00PM PDT</b></span></p><p style="text-align: left;"><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;"><br /></span><b><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;">Join us live on Youtube Live:<br /></span><a data-saferedirecturl="https://www.google.com/url?q=https://www.youtube.com/watch?v%3Dl0jH0XoZKmU%26feature%3Dyoutu.be&source=gmail&ust=1617306232424000&usg=AFQjCNHL4DjTM5Jh0fTIG_dBQQ_bagv1qw" href="https://www.youtube.com/watch?v=l0jH0XoZKmU&feature=youtu.be" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif;" target="_blank">https://www.youtube.com/watch?<wbr></wbr>v=l0jH0XoZKmU&feature=youtu.be</a></b><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;"><br /></span><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;"><br /></span><b><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;">Join us live on Facebook Live:<br /></span><a data-saferedirecturl="https://www.google.com/url?q=https://www.facebook.com/events/592260944990772/&source=gmail&ust=1617306232424000&usg=AFQjCNHMceI7k2Q5uR6KInKLnJsBXxQoZw" href="https://www.facebook.com/events/592260944990772/" style="background-color: white; color: #1155cc; font-family: Arial, Helvetica, sans-serif;" target="_blank">https://www.facebook.com/<wbr></wbr>events/592260944990772/</a></b></p><p style="text-align: left;"><span style="background-color: #f9f9f9;">
</span><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;">
</span><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; white-space: pre-wrap;">Andy Bellamy is a Product Marketing Manager at AJA Video, where he's creating engaging and informative content across web, print and video to drive sales of their innovative products. He has worked in the Broadcast and Post Production space for the past 20 years in a variety of roles around the world and he continues to build his industry knowledge with each new product</span><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; font-size: 13px; white-space: pre-wrap;"> launched.</span></p><div style="text-align: left;"><div><span style="background-color: #f9f9f9; color: #030303; font-family: Roboto, Arial, sans-serif; font-size: 13px; white-space: pre-wrap;"><br /></span></div></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-7662217391316711172021-02-26T09:27:00.001-05:002021-02-26T09:27:00.172-05:00In "Star Trek Into Darkness," Mary Jo Markey ACE Reworked Klingon Dialogue in Post to Adjust Tone<p></p><div class="separator" style="clear: both; text-align: center;"><iframe allowfullscreen="" class="BLOG_video_class" height="346" src="https://www.youtube.com/embed/OitlitQsb6I" width="479" youtube-src-id="OitlitQsb6I"></iframe></div><br /><span style="font-family: arial;">Mary Jo Markey collaborated with a Klingon language expert to streamline
this key action set piece from "Star Trek Into Darkness." </span><p></p><p><span style="font-family: arial;"> Mary Jo Markey, ACE, is an accomplished editor in both film and
television. After cutting a series of independent films and television
movies, Markey began her collaboration with JJ Abrams as one of the
editors of the TV series "Felicity" during its first three seasons
(1998-2000). Markey then moved over to edit the first two seasons of
"Alias," during which she received her first Emmy nomination. Later, in
2005, Markey won the Emmy for Drama Series Editing for her work on the
"Lost" pilot. In 2006, Markey’s collaboration with JJ Abrams moved to
the large screen with "Mission Impossible III." Their work together
continued with the HBO pilot "Anatomy of Hope," 2009’s "Star Trek"
(which led to an ACE Eddie nomination), the "Undercovers" pilot, "Super
8," and "Star Trek Into Darkness" in 2013. </span></p><p><span style="font-family: arial;"> Besides projects with Abrams, Markey has edited the award-winning HBO
film "Life Support," which was selected as the closing night film for
the 2007 Sundance Film Festival (and brought her an additional Emmy
nomination as well as an ACE Eddie nomination), "The Perks of Being a
Wallflower," "The Great Wall," directed by master of Chinese cinema
Zhang Yimou, and the sci-fi thriller "Life." </span></p><p><span style="font-family: arial;"> About the Moderator: Bobbie O’Steen is a New York-based writer and film
historian, dedicated to sharing the editor’s invisible art with
students, professionals, and the movie-going public. She is an
Emmy®-nominated editor and author of two acclaimed books about editing:
“Cut to the Chase,” based on interviews with her late husband and
colleague, legendary editor Sam O’Steen; and “The Invisible Cut,” which
deconstructs classic movie scenes through a cut-by-cut analysis. Her
latest book is an authoritative, media-rich eBook called “Making the Cut
at Pixar” about the editor’s pioneering role in computer animation.</span></p><p><span style="font-family: arial;">Sight Sound and Story" is an annual event presented by Manhattan Edit
Workshop that brings audiences "behind the scenes" with legends of
visual storytelling. Each year the one day summit brings together a
collection of diverse and intriguing high-profile speaker series to
discuss the evolving world of post-production. Panels topics have
included the art and processes of editing film & television,
exploring ground-breaking interactive media, the fast pace of cutting
sports television, getting the real from reality television,
experiencing the magic of feature sound design, taking a look at the
vital roles of the VFX artist, and deconstructing key scenes from
fiction and documentary favorites. </span></p><p><span style="font-family: arial;"> For more information go to https://SightSoundandStory.com.
Like us on Facebook at Sight, Sound & Story: https://www.facebook.com/SightSndStory/
Follow us on Twitter: @SightSndStory / https://twitter.com/SightSndStory</span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-76282423268409224482021-02-15T09:11:00.001-05:002021-02-15T09:11:02.408-05:00Sight, Sound & Story: Live Online “Making it Work: From Editor to Director” on February 25th<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhttJFJjxKJelMifrJHgOtPTquu49WjJ6ak3OOcT1CpjXq288MFmAYLKcQJV7Y2yvUZu6P4MzZ1PQXnWfefu1-wr6pim2OHVgjUSE4ZLSnCFWevfUKZKkTkM1-cPvEhewhpGfpKklMOCL8n/s1772/ssslive0221.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1772" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhttJFJjxKJelMifrJHgOtPTquu49WjJ6ak3OOcT1CpjXq288MFmAYLKcQJV7Y2yvUZu6P4MzZ1PQXnWfefu1-wr6pim2OHVgjUSE4ZLSnCFWevfUKZKkTkM1-cPvEhewhpGfpKklMOCL8n/w640-h434/ssslive0221.png" width="640" /></a></div><p><span style="color: rgb(var(--color_20)); font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; font-size: 16px;">Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues in February with the filmmakers from the acclaimed documentary film “Dick Johnson is Dead.”</span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Inside Episode VII: There can be no more collaborative and intertwined relationship in filmmaking than that between Director and Editor. In documentary filmmaking this is especially so. Join us for a special conversion with Director </span></span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Kirsten Johnson, ASC </span>and Editor <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Nels Bangerter</span> as they discuss the creative process of documentary filmmaking within the acclaimed films “Dick Johnson Is Dead “and “Cameraperson”; as well as other films. Creative Director of Wheelhouse Creative and documentary filmmaker <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Jeremy Workman</span> will help guide the conversation and show examples of Kirsten and Nels work. Jeremy was also an editing collaborator for the dance sequence in “Dick Johnson is Dead” and edited the trailer for “Cameraperson.”</span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">All attendees who register for this event will receive a link and password to Vimeo Live 30 minutes prior to the event. The event will be live at 5:00 PM EST/ 2:00 PM PST on February 25th. This will gain free access for all attendees who register.</span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">This event wouldn’t be possible without our Master Storyteller Sponsors: OWC, American Cinema Editors, & EditFest Global; as well as our new Technology Sponsor: AJA. We are also grateful for the continued support of our invaluable partners ProductionHUB, Digital Cinema Society, LAPPG, NYWIFT, Film Fatales, and The D-Word. Following the panel there will be a chance to ask questions in a live Q&A session. To register, please go to </span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #2200ff; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: underline; vertical-align: baseline;"><a href="https://bit.ly/2MWcj2m" rel="noopener" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; cursor: pointer; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank">https://bit.ly/2MWcj2m</a></span></span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">.</span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> </span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: Arial, Helvetica, sans-serif; font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">*All speakers are subject to availability</span></span></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-45867312396679380942021-02-10T09:10:00.000-05:002021-02-10T09:10:23.406-05:00Oscar-nominated Editor of “The Descendants” Kevin Tent, ACE, Joins Manhattan Edit Workshop as Their Next Artist in Residence<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOyJW1GVTeR6ADlsd1bPdnepO7nS8TLJxvG_axv6cQ2p3u8e7E4cj_KvndFz8I2LTcl9lDI8RdJGiKpkDNkoT3ufxnuoJGiHHb94vI6PERLyp8sV0NafxrQimgzh1dcv7_bIjEXaV14wSd/s500/KevinTentAIR.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="360" data-original-width="500" height="461" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiOyJW1GVTeR6ADlsd1bPdnepO7nS8TLJxvG_axv6cQ2p3u8e7E4cj_KvndFz8I2LTcl9lDI8RdJGiKpkDNkoT3ufxnuoJGiHHb94vI6PERLyp8sV0NafxrQimgzh1dcv7_bIjEXaV14wSd/w640-h461/KevinTentAIR.png" width="640" /></a></div><p><span style="font-family: arial;"><a href="http://mewshop.com/" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; color: #681818; font-size: 18px; overflow-wrap: break-word; text-decoration-line: none; white-space: pre-wrap;">Manhattan Edit Workshop (MEWShop)</a><span style="background-color: white; font-size: 18px; white-space: pre-wrap;">, the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the March 1st class will be Oscar-nominated editor Kevin Tent, ACE.** </span></span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">Kevin Tent’s renowned editing career started with legendary producer Roger Corman and from there he established himself as the go-to editor for the acclaimed director Alexander Payne. Kevin </span></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">is not only an experienced editor, he has also directed and co-directed three films and was recently elected as President of the honorary society of American Cinema Editors. </span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">The next installment of MEWShop’s Six Week Intensive Workshop will be taught LIVE online beginning on March 1st, 2021 and will be held Monday through Friday from 10 AM EST to 6 PM EST. For more information on the Online Six Week Intensive Workshop or to register, please visit <a href="https://www.mewshop.com/six-week-intensive-online" style="background: transparent; color: #681818; overflow-wrap: break-word; text-decoration-line: none;">https://www.mewshop.com/six-week-intensive-online</a>. "Having Kevin Tent join our next class is a special event for our students,” says MEWShop Director of Education Janet Dalton. “His decades of experience in editing; as well as a director will give our students unparalleled insight.” MEWShop’s early bird pricing for $500 off ends on February 19th. </span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;"><strong style="overflow-wrap: break-word;">Kevin Tent, ACE,</strong> began his career editing educational films, then moved into the world of low-budget horror films, working on several projects with legendary producer Roger Corman. Tent has since gone on to edit many high-profile films. He is known for his long-standing partnership with filmmaker Alexander Payne on films such as "Nebraska," "The Descendants," "Sideways," and "Election." Tent has been nominated for an Academy Award for best editing for The Descendants and won an ACE Eddie award for the same film and received three other ACE Eddie Award nominations for "Election," "Sideways," and "About Schmidt.” Some of his more recent credits include “Downsizing,” “Otherhood,” and last year's feel good hit "The Peanut Butter Falcon."</span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;"><strong style="overflow-wrap: break-word;">About Manhattan Edit Workshop’s LIVE Online Six Week Intensive Workshop</strong>: The post-production industry is highly competitive, and knowing the industry standards – Premiere Pro, After Effects and Avid Media Composer – is critical for success. MEWShop offers all of this in one comprehensive six-week course, the training that aspiring post-production professionals need in each of these editing applications, taught by certified instructors.</span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">Beyond the creative and technical aspects of editing, a portion of the Six Week Intensive Workshop is focused on the best strategies to secure a job once the class ends. Students will draft cover letters and resumes, which will be refined over the span of the class, and also discuss with instructors about interview strategies and job applications, as well as how to appropriately set rates and find the right work for each graduate’s unique interests. </span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;">Our LIVE online workshop will run Monday - Friday from 10am EST - 6pm EST with an hour lunch. All media and projects will be provided online with screenings and discussions occurring on either Zoom or Google Hangout. Students will need to obtain an Avid license from Avid or have or obtain an Adobe Premiere Pro license for the duration of the class. These can be purchased separately, or Manhattan Edit Workshop can direct students to free or temporary options. Please make sure that your home computer specs are up to standard to handle these applications prior to taking the workshop. Manhattan Edit Workshop administration will do a trial run the week before the class begins with each student to verify that everything is working. </span></p><p class="" data-rte-preserve-empty="true" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"></p><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><strong style="overflow-wrap: break-word;"><span style="font-family: arial;">Online Class Highlights:</span></strong></p><ul data-rte-list="default" style="background-color: white; font-size: 18px; overflow-wrap: break-word; text-align: left;"><li><span style="background-color: white; font-family: arial; font-size: 18px; white-space: pre-wrap;">All lessons and discussions </span><strong style="background-color: white; font-family: arial; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;">will be live</strong><span style="background-color: white; font-family: arial; font-size: 18px; white-space: pre-wrap;"> and not recorded versions. </span></li><li><span style="background-color: white; font-family: arial; font-size: 18px; white-space: pre-wrap;">Free access to each application for the scope of the course. </span></li><li><span style="background-color: white; font-family: arial; font-size: 18px; white-space: pre-wrap;">The </span><strong style="background-color: white; font-family: arial; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;">same </strong><span style="background-color: white; font-family: arial; font-size: 18px; white-space: pre-wrap;">amount of one-on-one time and attention that students receive for our in-person workshop.</span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Remote Adobe Premiere Pro & After Effects training (weeks 1 & 2).</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Remote Avid Media Composer training (weeks 3 & 4).</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Remote Screenings and discussions (weeks 1 - 4).</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Remote Artist in Residence experience with an accomplished editor (scheduled during week 5 & week 6).</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Remote instruction on resume and cover letters (weeks 5 & 6).</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Remote editing and one-on-one review of editing Manhattan Edit Workshop provided projects for student’s reels.</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Ability to come back for weeks 5 & 6 during a future Six Week Intensive to work on projects and receive additional one-on-one time with our instructors.</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Ability to submit and apply to our Intern Referral program</span></span></li><li><span style="background-color: white; font-size: 18px; white-space: pre-wrap;"><span style="font-family: arial;">Ability to take both Avid Certification tests remotely</span></span></li></ul><p class="" style="background-color: white; font-size: 18px; overflow-wrap: break-word; white-space: pre-wrap;"><span style="font-family: arial;"> </span></p><p class="" style="background-color: white; font-size: 18px; margin-bottom: 0px; overflow-wrap: break-word; white-space: pre-wrap;"><em style="overflow-wrap: break-word;"><span style="font-family: arial;">**Artists in Residence are schedule permitting</span></em></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-13573726263133816412020-10-07T14:29:00.002-04:002020-10-07T14:29:31.481-04:00 Sight, Sound & Story: Live - Sound Design in Film & TV - Oct 14th at 2PM EST! Sign up now! <p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBrAiLtsnr1-p9u1qYWzugu-91lTUy_21xIGk0_repCfd0kYeF-aZkFHZQfv9GmKJqRQa7z3NnDj6se6bMYYTv-EHyyIDkH_adVqe-Eelis82Madp-FEXVjr_EzwZH1cD1f5NOBEhksIky/s1772/ssslive2020SoundShow2.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1200" data-original-width="1772" height="403" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhBrAiLtsnr1-p9u1qYWzugu-91lTUy_21xIGk0_repCfd0kYeF-aZkFHZQfv9GmKJqRQa7z3NnDj6se6bMYYTv-EHyyIDkH_adVqe-Eelis82Madp-FEXVjr_EzwZH1cD1f5NOBEhksIky/w594-h403/ssslive2020SoundShow2.png" width="594" /></a></div><br /><p></p><p><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Sight, Sound & Story: Live </span></span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; font-size: 16px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">"SoundShow: Sound Design in Film & TV"</span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Moderator: Woody Woodhall, CAS</span></span></span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"> (</span></span></span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Studio Principal of </span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><a href="https://www.alliedpost.com/" rel="noopener" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; cursor: pointer; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank">Allied Post Audio</a></span></span></span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">)</span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Speakers: </span></span></span><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Bobbi Banks, AMPAS, ATAS,MPSE</span> (<span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Straight Outta Compton, When They See Us</span>) <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Robert Fernandez</span> (<span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Drive, The Adjustment Bureau</span>) & <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Mildred Iatrou </span>(<span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">La La Land, First Man)</span> </span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-style: italic; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Inside Episode IV: </span></span>Sound is one of the most important elements in film and can be used to elevate a performance, evoke emotions, indicate mood and emphasize what's on the screen. Join Moderator Woody Woodhall who will take a deep dive into the creative process of sound design in film and television. He will be joined by multiple Emmy-nominated Supervising Sound Editor Bobbi Banks, multiple Oscar-nominated Supervising Sound Editor Mildred Iatrou, and Grammy and Emmy-winner, Re-Recording Mixer Robert Fernandez. This panel will take us through the creative process of sound design and sound mixing and explore how sound shapes and influences our viewing experience. Through discussion and viewing scenes we will see and hear examples of the panelists extraordinary work in sound.</span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 14px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">When: October 14th, 2020</span></span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">Time: 5PM EST / 2PM PST</span></span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">General Admission:</span> <span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">FREE!!</span></span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 14px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 16px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"></span></span></span></p><p class="font_8" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: rgb(var(--color_20)); font-size: 25px; line-height: normal; margin: 0px; outline: 0px; padding: 0px; pointer-events: auto; vertical-align: baseline;"><a href="https://www.eventbrite.com/e/sight-sound-story-live-ep-4-soundshow-sound-design-in-film-tv-tickets-122244417343" rel="noopener" style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; cursor: pointer; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: none; vertical-align: baseline;" target="_blank"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-weight: bold; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #2aa814; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; text-decoration-line: underline; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"><span style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-family: tahoma, tahoma-w01-regular, tahoma-w02-regular, tahoma-w10-regular, tahoma-w15--regular, tahoma-w99-regular, sans-serif; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;">REGISTRATION HERE</span></span></span></span></span></a></p>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comtag:blogger.com,1999:blog-8334782794752858144.post-52382555403141994972020-09-09T18:58:00.002-04:002020-09-09T18:58:32.730-04:00Join Us and Ask Questions Live! Manhattan Edit Workshop Virtual Open House On September 10th!<p><span style="background-color: white; font-family: "Neue Plak", -apple-system, system-ui, Roboto, "Helvetica Neue", Helvetica, Tahoma, Arial, sans-serif; font-size: 0.933333rem; font-weight: 700; letter-spacing: 0.5px;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzixgsRseuTTOQFhX59UbdtCmf6ZBFoMJ8fBJc-F633RIU__8LpZMr9QJZCOmS2BV1Ia4hsxfKcLNjABPI8YsIEvixRN6S9HBpv3lZs56VkUZxVVanb32QZn_tMM0ABteFdnBne53dZkta/s1264/Screen+Shot+2020-09-09+at+6.55.12+PM.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="688" data-original-width="1264" height="341" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzixgsRseuTTOQFhX59UbdtCmf6ZBFoMJ8fBJc-F633RIU__8LpZMr9QJZCOmS2BV1Ia4hsxfKcLNjABPI8YsIEvixRN6S9HBpv3lZs56VkUZxVVanb32QZn_tMM0ABteFdnBne53dZkta/w625-h341/Screen+Shot+2020-09-09+at+6.55.12+PM.png" width="625" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><br /></td></tr><tr><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><br />Join Manhattan Edit Workshop for our Virtual Open House! This is an opportunity for you to learn more about our Online classes.</span></p><div class="g-group l-mar-bot-6 l-sm-mar-bot-4" style="background-color: white; font-family: "Neue Plak", -apple-system, system-ui, Roboto, "Helvetica Neue", Helvetica, Tahoma, Arial, sans-serif; letter-spacing: 0px; margin: 0px 0px 30px; padding: 0px;"><div class="structured-content g-cell g-cell-10-12 g-cell-md-1-1" style="box-sizing: border-box; display: inline-block; letter-spacing: 0.5px; line-height: 1.25rem; margin: 0px; overflow: hidden; padding: 0px 15px; vertical-align: top; width: 560px;"><h2 class="text-body-large hide-small" style="font-size: 1.2rem; letter-spacing: 0.25px; line-height: 1.5rem; margin: 0px -0.25px 0px 0px; padding: 0px;">About this Event</h2><div class="has-user-generated-content" data-automation="about-this-event-sc" style="margin: 0px; padding: 0px;"><div class="structured-content-rich-text structured-content__module l-align-left l-mar-vert-6 l-sm-mar-vert-4 text-body-medium" style="line-height: 1.25rem; margin: 30px 0px; padding: 0px; text-rendering: optimizelegibility;"><p style="font-size: 16px; line-height: 1.5rem; margin: 0px; padding: 0px;">This Thursday, September 10th, 2020 stop by anytime between 4:00pm and 4:30pm. The instructions for attending the live online open house are on this event page. Attendees will need to have the ZOOM app installed on their computer to attend. Download that <a href="https://zoom.us/download" rel="nofollow noopener noreferrer" style="background-color: transparent; cursor: pointer; padding-top: 0px; text-decoration-line: none;" target="_blank">here</a>.</p><p style="font-size: 16px; line-height: 1.5rem; margin: 0px; padding: 0px;"><br /></p><p style="font-size: 16px; line-height: 1.5rem; margin: 0px; padding: 0px;"><a href="https://www.eventbrite.com/e/manhattan-edit-workshop-september-10th-virtual-open-house-tickets-120114241931" style="font-size: medium;" target="_blank">REGISTER HERE.</a></p><p style="font-size: 16px; line-height: 1.5rem; margin: 0px; padding: 0px;"><br /></p><p style="font-size: 16px; line-height: 1.5rem; margin: 0px; padding: 10px 0px 0px;">Our staff will be live talk to you about all of our classes including:</p><ul style="font-size: 16px; line-height: 1.5rem; list-style-image: initial; list-style-position: initial; margin: 0px; padding: 10px 0px 0px 2em;"><li style="margin: 0px; padding: 0px;">Six Week Intensive Workshop</li><li style="margin: 0px; padding: 5px 0px 0px;">Avid Media Composer and Pro Tools</li><li style="margin: 0px; padding: 5px 0px 0px;">Adobe Premiere Pro, After Effects, Photoshop, InDesign, Illustrator, Captivate, Color Correction with Premiere Pro</li><li style="margin: 0px; padding: 5px 0px 0px;">DaVinci Resolve Workshops - Color Grading, Editing, Fairlight Audio, Fusion</li><li style="margin: 0px; padding: 5px 0px 0px;">Making the Cut with Bobbie O'Steen</li><li style="margin: 0px; padding: 5px 0px 0px;">Avid Assistant Editor Workshop</li><li style="margin: 0px; padding: 5px 0px 0px;">Advanced Avid Workflows for Assistant Editors Workshop</li><li style="margin: 0px; padding: 5px 0px 0px;">NEW Three Week Advanced Editing Workshop</li><li style="margin: 0px; padding: 5px 0px 0px;">Apple Final Cut Pro X, Logic Pro, Motion, and macOS</li><li style="margin: 0px; padding: 5px 0px 0px;">Assimilate SCRATCH Workshops</li><li style="margin: 0px; padding: 5px 0px 0px;">Autodesk Smoke Workshops</li><li style="margin: 0px; padding: 5px 0px 0px;">Production Workshops</li><li style="margin: 0px; padding: 5px 0px 0px;">Custom Classes</li><li style="margin: 0px; padding: 5px 0px 0px;">Corporate and Group Training</li></ul><div><br /></div><div><a href="https://www.eventbrite.com/e/manhattan-edit-workshop-september-10th-virtual-open-house-tickets-120114241931" target="_blank">REGISTER HERE.</a></div></div></div></div></div>Manhattan Edit Workshophttp://www.blogger.com/profile/12826503807699579202noreply@blogger.comNew York, NY, USA40.7127753 -74.005972812.402541463821152 -109.1622228 69.023009136178842 -38.849722799999995