Manhattan Edit Workshop's Blog

Join AJA Product Marketing Manager Andy Bellamy as he walks you through a few tips and tricks to set up or optimize your remote workflow. In the last year, remote post workflows have quickly evolved from a luxury to a necessity amidst the global pandemic. As more post shops, editorial facilities and freelancers across the industry have pivoted to remote setups to ensure team safety, the advantages of working this way have become clear, whether the ability to tap into a broader talent pool for projects and cost-efficiency for shops or the convenience offers individual creatives. Although setting up a remote workflow can seem overwhelming at first, with so many considerations and a plethora of available gear options, getting started doesn’t have to be complicated, and even if you’re already working remotely, there are subtle tweaks you can make to improve your existing workflow. FREE LIVE EVENT | April 7th, 2021 | 5:00 PM EDT/ 2:00PM PDT Join us live on Youtube Live: https://www.youtube....

From our 2019 Sight, Sound & Story Post Production Summit - Editor Kate Sanford ACE, discusses how she brought out the passion of the Fosse/Verdon cast by intercutting three scenes that were not originally planned to be intercut.   Kate Sanford, ACE, is a feature film and television editor whose most recent project is the upcoming just released miniseries Fosse/Verdon. She recently completed the first two seasons of "The Marvelous Mrs. Maisel" and won the ACE award for best-edited comedy. Between seasons she edited "The Deuce" for writer/showrunner David Simon. Their long-running collaboration includes the 6-part miniseries "Show Me A Hero," the pilot for "Treme" (for which she won an ACE award for best-edited drama), and all five seasons of "The Wire" (for which she also won an ACE award for drama). Other television includes "Vinyl," executive produced by Martin Scorsese; all seasons of "Boardwalk Empire," ...

From Sight, Sound and Story: The Art of Cinematography 2015. Recorded live at the NYIT Auditorium on Broadway on September 30th, 2015. Paul Koestner has been a cinematographer for over three decades since graduating from one of those film schools nobody in the business cares about. His projects have included features, television series, commercials, industrials, documentaries and webcast series. Paul is perhaps best known through his work with Louis CK, with whom he has collaborated for the last twenty-plus years. Along with the FX Series bearing Mr. CK’s name, the two have worked together on projects such as "The Chris Rock Show," "The Dana Carvey Show," and numerous short-form pieces both personal and professional. Early obscure works include the film shorts "Caesar Salad" and "Ice Cream."  "Louie" is an American comedy-drama television series on the FX network that began airing in 2010. It is written, directed, edited, and prod...

Sight, Sound & Story  - Bill Pankow, ACE and Jerry Greenberg, ACE on Kramer vs. Kramer (Part 2) with moderator and author Bobbie O'Steen. Editors Jerry Greenberg, ACE and Bill Pankow, ACE, talk about the best feeling that an editor can have, using a scene from "Kramer vs. Kramer." From the panel "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 8th, 2013. For more information go to: www.SightSoundandStory.com. Gerald B. Greenberg, ACE often credited as Jerry Greenberg, is an American film editor who received both the Academy Award for Film Editing and the BAFTA Award for Best Editing for the film "The French Connection" (1971). He received Oscar and BAFTA nominations for "Kramer vs. Kramer" (1979) and "Apocalypse Now" (1979). Bill Pankow, ACE is an American film editor with more than 32 film credits dating from 1982. He won the Seattle Film Critics Award for Best Editing ...

This upcoming  November 14th , MEWShop's acclaimed speaker series returns for its fifth year  with an evening devoted to the art of cinematography.  Join us as we celebrate the craft of visual storytelling from the masters behind the camera - we’ll go behind the scenes with some of the industry's best cinematographers in documentary & narrative films and then explore the process of bringing the look of cinema to the small screen in the golden of age of Peak TV.  Thursday, November 14,  2019 Schedule: 3:30 pm - Check-in 4:00 pm - Opening 4:15 pm - 5:30 pm - In The Moment: The Art of Cinematography in Documentary Filmmaking Moderator: Jim Kamp  (Producer ) Panelists:   Tom Hurwitz, ASC  ( American Dream, Harlan County U.S.A., The Queen of Versailles, Wild Man Blues)  &  Claudia Raschke  ( RBG, God is the Bigger Elvis, Mad Hot Ballroom) ​ 5:45 pm - 6:45 pm - The New Age of TV: Bringing...

MEWShop’s one-day summit returns to New York on June 13, 2019, at the NYIT Auditorium on Broadway.  Panels include the art and processes of editing documentary film and episodic television.  Our closing panel will highlight the career of an acclaimed feature film editor Mary Jo Markey, ACE with author and film historian Bobbie O’Steen.  The summit culminates in a gala reception and networking session for guests, panelists, and vendors.   Schedule: 3:30 pm: Check-In 4:00 pm: Opening 4:15 pm - 5:15 pm: Anatomy of a Scene: Deconstructing Documentary Films  Moderator: Jeremy Workman ( Magical Universe, The World Before Your Feet ) Speakers: Carla Gutierrez, ACE  ( RBG, La Corona, Chavela ) &  Jean Tsien, ACE (S cottsboro: An American Tragedy, Dixie Chicks: Shut Up & Sing)  5:30 pm - 6:30 pm - The Emergence of Peak TV: Television's Cinematic Revolution Moderator: Gordon Burkell (AOT...

Editor William Goldenberg, ACE discusses putting together a scene featuring actors with wildly different performing styles, as seen in "The Insider." From the panel "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 13th, 2015. For more information go to: SightSoundandStory.com. #mewshop #mewtube #SSS15 #ITCR , @BobbieOSteen, #BobbieOSteen , #WilliamGoldenberg , #TheInsider , #russellcrowe , #ACE , #americancinemaeditors , #edit , #editor , #editing , #film , #alpacino , #sightsoundandstory , #HP , #intel , #JeffreyWigand , #60minutes

Editor William Goldenberg, ACE discusses working on the both literally and figuratively dark climax of "Zero Dark Thirty."From the panel "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 13th, 2015. For more information go to: https://:www.SightSoundandStory.com. #SSS2015 , #ITCR , #BobbieOSteen , #MEWTube , #HP , #williamgoldenberg , #oscarwinner , #oscar , #academyaward , #editing , #insidethecuttingroom , #editing , #editor , #film , #zerodarkthirty , #billygoldenberg , #ACE , #americancinemaeditors , #intel , #sightsoundandstory

The Sight, Sound & Story audio podcast series debuts featuring acclaimed Cinematographer Bruce Logan, ASC It’s a wealth of knowledge for anyone interested in the art and tech of filmmaking and storytelling.” — Jason Banke, "Sight, Sound & Story" Executive Producer This new bi-weekly series will highlight an acclaimed editor, cinematographer, sound designers, VFX artists or content creator pulled from our decade long events; as well as our upcoming 2019 symposiums. This audio podcast will have exclusive interviews with masters like Anne V. Coates, ACE (“Lawrence of Arabia,” “The Elephant Man”), Michael Kahn, ACE (“Raiders of the Lost Ark,” “Jurassic Park”), Robert McLachlan, ASC, CSC (“Game of Thrones,” “Ray Donovan”), William Goldenberg, ACE (“The Imitation Game,” “Argo), Kelley Dixon, ACE (“Breaking Bad,” “Better Call Saul”), Bruce Logan, ASC (“Star Wars: Episode I – A New Hope,” “Tron”), Dylan Tichenor, ACE (“Boogie Nights,” “There Will Be Blood”, Alan Hei...