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Showing posts with the label Editing

Go Inside the Cutting Room of Peak TV’s Most Captivating and Compelling Drama Series - "Succession" on March 24th!

Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues on March 24th with Inside the Cutting Room of “Succession” featuring Editors Ken Eluto, ACE , Bill Henry, ACE and Jane Rizzo with Author & Historian Bobbie O’Steen. Inside Episode XIX: This panel focuses on the tragicomic saga of a super rich and powerful family that has riveted HBO audiences for the past three seasons. Join Bobbie O'Steen for a discussion with three of the series masterful editors - Ken Eluto, ACE, Bill Henry, ACE, and Jane Rizzo - who discuss the challenges and rewards of working with constant camera movement, complex plotlines, and multi-layered performances that reveal the many shifting alliances and betrayals in this highly acclaimed series. This is a free online event! When: March 24th at 7:30 PM ET Where : Online Cost: FREE! (but you must register in advance of the event to receive link and password) REGISTER HERE

TODAY at 2PM EST, "Belfast" & "Death on the Nile" Editor Ùna Ní Dhonghaíle, ACE, Joins Filmmaker U!

TODAY at 2PM EST, "Belfast" & "Death on the Nile" Editor Ùna Ní Dhonghaíle, ACE, Joins Filmmaker U! TODAY at 2PM EST we are joined by "Belfast" & "Death on the Nile" Editor Ùna Ní Dhonghaíle, ACE !  In this episode we talk with Ùna about her relationship with Director Kenneth Branagh and her own family Irish history how it influenced her work on the critically acclaimed film "Belfast."  Tune in! A multi-award-winning editor, Ùna Ní Dhonghaíle, ACE , studied Film and Media in her native Dublin and then graduated from the National Film and Television School specialising in film editing.  Her TV work has included "The Crown," "Wallander," "Les Misérables," "Ripper Street and Three Girls." She co-directed and edited the award-winning documentary, "Invisible Man."  Her film work includes "Misbehaviour," "Stan and Ollie" and two previous films for Kenneth Branagh: ...

ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL

  ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL Newly Redesigned Fellowship Program Provides Mentorship for Assistant, Associate and Emerging Documentary Film Editors from Underrepresented Backgrounds and Experiences  Open call for submissions begins FEBRUARY 1, 2022 Received-by application deadline is MARCH 20, 2022 The Karen Schmeer Film Editing Fellowship is a year-long group mentorship program for documentary assistant, associate and emerging editors from historically underrepresented backgrounds and experiences. Our mission is to cultivate the careers of an inclusive group of emerging and aspiring documentary film editors through mentorship to help them grow as artists and build their community. By investing in editors, we affirm and strengthen the critical role editors play in documentary storytelling.   Applicants must be based in the U.S., reside there September 2022 – September 2023, have at least two credits as an assistant, associate,...

Sight, Sound & Story: Live Goes “Inside the Cutting Room of Sam O’Steen” on November 19th

Sight, Sound & Story: Live Goes “Inside the Cutting Room of Sam O’Steen” The Sight, Sound & Story: Live monthly event series continues in November with Author & Film Historian Bobbie O’Steen and a panel of seven editor s​ Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues in November with an in-depth look at the work of legendary editor Sam O’Steen. Inside Episode V :  This panel will honor legendary editor Sam O’Steen.  He first found acclaim for his work in the late 1960s, at a time when the studio system was crumbling, and independent filmmakers were captivating young audiences with personal, provocative narratives and experiments with sound, music, cinematography, and editing.  These shifts all elevated the status of the editor.  Bobbie O’Steen , who was Sam’s wife and collaborator, is a film historian whose book, "Cut to the Chase," is filled with Sam's behind-the-scenes stories on such landmark film...

Filmmaker U Announces New Class on Documentary Film Editing with Oscar-nominated and Multiple Emmy-winning Director/Editor Sam Pollard

Filmmaker U ( www.filmmakeru.com ), the online education series that brings the best in the industry to aspiring filmmakers, announced today that acclaimed  Director/Editor Sam Pollard  will teach a course in Documentary film editing. Oscar-nominated and multiple Emmy-winning documentary Director/Editor Sam Pollard   ("Four Little Girls," "When the Levees Broke: A Requiem in Four Acts," "Sammy Davis Jr.: I've Gotta Be Me"),   will take students into the edit suite in an intimate journey through his career, techniques, relationships and decision making process from his storied work.  His collaboration with Director Spike Lee and his recent ventures as a Director; will give students an unparalleled look into non-fiction storytelling. Topics include Structure, Directors and Editors Shaping a Film Pacing, Mood, Tone and Texture, Editing Audio, Editing, and much more. “Samuel Pollard is a master filmmaker,” Spike Lee said, with finality. “If you say he’s j...

"Pen15" and "Little Fires Everywhere" Editor Amelia Allwarden Joins Film U on Tuesday at 2PM EST!

Join us this Tuesday for a great chat with up and coming Editor Amelia Allwarden! In this episode we talk with Amelia about her start interning through the ACE internship program, growing as an assistant and establishing herself on hit shows like "Pen15," "Little Fires Everywhere," and much more. Tune in!  Tuesday, November 9th | 2:00 PM EDT / 11:00 PDT You can watch it on Youtube:  https://youtu.be/ mwI4ONNqqk0  or on facebook:  https://fb.me/e/ PbUTgL2S #FilmmakerU #FilmU #FilmUChats #Editing #OWC #PoweredByOWC #ACE #AmericanCinemaEditors #Editor #Edit #PostProduction #AmeliaAllwarden #Pen15 #LittleFiresEverywhere #Archive #Westworld #ACEInternship

Academy Award-nominated Editor Christopher Tellefsen, ACE Joins Filmmaker U TODAY at 2PM EDT!

Christopher's work includes "A Quiet Place," "Capote," "Moneyball," and the recently released "The Many Saints of Newark"! Joins as Christopher talks about some of his most iconic work, experiences from his amazing career in film and much, much more! November 5th | 2:00 PM EDT/ 11:00 AM PDT Y ou can watch it on Youtube:  https://youtu.be/ XldTQvAo76A   or on facebook:  https://fb.me/e/ 1JDUL2tvs #FilmmakerU #FilmU #FilmUChats #Editing #OWC #PoweredByOWC #ACE #AmericanCinemaEditors #Editor #Edit #PostProduction #ChristopherTellefsen #AQuietPlace #TheManySaintsOfNewark #Moneyball #Capote #ThePeopleVsLarryFlynt

Academy Award-winning "Star Wars" Editor Paul Hirsch, ACE, Joins Filmmaker U at 2PM EDT TODAY!

We are super excited to be joined by legendary Editor Paul Hirsch, ACE live on July 2nd at 2PM EDT! We will dive deep into his film career & experiences; as well as his new book. Join us live to ask questions and hear from one of the best!  LIVE - Friday, July 2nd | 2:00 PM EDT/ 11:00 AM PDT Join the conversation here:  https://youtu.be/rNYDU53w2ts

Oscar-nominated Editor of “The Descendants” Kevin Tent, ACE, Joins Manhattan Edit Workshop as Their Next Artist in Residence

Manhattan Edit Workshop (MEWShop) , the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the March 1st class will be Oscar-nominated editor Kevin Tent, ACE.**   Kevin Tent’s renowned editing career started with legendary producer Roger Corman and from there he established himself as the go-to editor for the acclaimed director Alexander Payne.  Kevin is not only an experienced editor, he has also directed and co-directed three films and was recently elected as President of the honorary society of American Cinema Editors. The next installment of MEWShop’s Six Week Intensive Workshop will be taught LIVE online beginning on March 1st, 2021 and will be held Monday through Friday from 10 AM EST to 6 PM EST.  For more information on the Online Six Week Intensive Workshop or to register, please visit https://www.mewshop.com/six-week-intensive-online .  "H...

Sight, Sound & Story: Live "Making it Work: From Editor to Producer" FREE EVENT ONLINE September 16th!

The monthly online event series Sight, Sound & Story: Live, continues this September with Editor Daysha Broadway & Producer Deniese Davies from both   Insecure and A Black Lady Sketch Show  .   Sight, Sound & Story: Live "Making it Work: From Editor to Producer" Moderator: Sean Weiner (Jacob Burns Film Center, Director of Programs, Media Arts Lab) Speakers: Daysha Broadway  ( Insecure, A Black Lady Sketch Show, Surviving R. Kelly)   &  Deniese Davis  ( Insecure, A Black Lady Sketch Show, The Misadventures of Awkward Black Girl ) Inside Episode III:  The relationships between Editors and Producers are some of the most important in the post-production process in television. In this panel we'll hear from multiple Emmy-nominated Editor  Daysha Broadway  and multiple Emmy nominated Producer  Deniese Davis .  Sean Weiner  will moderate the panel and explore how emerging filmmakers can learn from Daysha'...

“Dead to Me” Editor Liza Cardinale, ACE, Signs on as Manhattan Edit Workshop’s Next Artist in Residence

MEWShop’s July Six Week Intensive Art of Editing workshop will be taught LIVE online Manhattan Edit Workshop ( MEWShop ), the cutting-edge, digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the July 6th class will be editor  Liza Cardinale , ACE.** Liza got her start studying film theory at UC Berkeley, where she edited on their tape-to-tape system without any formal training. Later on, she visited a friend on the set of The Truth About Charlie and met the legendary editor Carol Littleton, ACE. After that encounter, Liza decided editing would be her career of choice. “Liza Cardinale’s talent and diverse career will enhance our workshop with invaluable insight and knowledge that will make July’s class very special,” comments MEWShop’s Director of Education and  Six Week  Instructor Janet Dalton. The next installment of MEWShop’s Six Week Intensive Workshop will be taught ex...

VIDEO- How Editor Kate Sanford, ACE Intercut to the Music for "Fosse/Verdon"

From our 2019 Sight, Sound & Story Post Production Summit - Editor Kate Sanford ACE, discusses how she brought out the passion of the Fosse/Verdon cast by intercutting three scenes that were not originally planned to be intercut.   Kate Sanford, ACE, is a feature film and television editor whose most recent project is the upcoming just released miniseries Fosse/Verdon. She recently completed the first two seasons of "The Marvelous Mrs. Maisel" and won the ACE award for best-edited comedy. Between seasons she edited "The Deuce" for writer/showrunner David Simon. Their long-running collaboration includes the 6-part miniseries "Show Me A Hero," the pilot for "Treme" (for which she won an ACE award for best-edited drama), and all five seasons of "The Wire" (for which she also won an ACE award for drama). Other television includes "Vinyl," executive produced by Martin Scorsese; all seasons of "Boardwalk Empire," ...

MEWShop announces that Editor Lee Percy, ACE, will join our March/April 2020 Six Week Intensive.

Lee Percy, ACE  has worked with director Barbet Schroeder from the Academy Award-winning film,  Reversal of Fortune  to Murder by Numbers . Lee also edited the Academy Award-winning Boys Don't Cry , and the critically acclaimed film,  Maria Full of Grace .  He also worked on The Ice Harvest  for director Harold Ramis, Oliver Stone's Snowden , as well as Sundance Film Festival 2009 nominee and Emmy-winning Taking Chance.  Lee's recent work includes the remake of the classic horror film Carrie , Amelia , HBO's Grey Gardens , and Oliver Stone's Snowden. Our next workshop starts March 2nd! Learn more about our Six Week Intensive Workshop here .

VIDEO: Jerry Greenberg, ACE and Bill Pankow, ACE on Satisfaction as an Editor f...

Sight, Sound & Story  - Bill Pankow, ACE and Jerry Greenberg, ACE on Kramer vs. Kramer (Part 2) with moderator and author Bobbie O'Steen. Editors Jerry Greenberg, ACE and Bill Pankow, ACE, talk about the best feeling that an editor can have, using a scene from "Kramer vs. Kramer." From the panel "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 8th, 2013. For more information go to: www.SightSoundandStory.com. Gerald B. Greenberg, ACE often credited as Jerry Greenberg, is an American film editor who received both the Academy Award for Film Editing and the BAFTA Award for Best Editing for the film "The French Connection" (1971). He received Oscar and BAFTA nominations for "Kramer vs. Kramer" (1979) and "Apocalypse Now" (1979). Bill Pankow, ACE is an American film editor with more than 32 film credits dating from 1982. He won the Seattle Film Critics Award for Best Editing ...

Oscar-nominated Editor Jinmo Yan Talks about the Most Challenging Scene to Edit in this Year's Oscar-winning Film "Parasite"

From the  Filmmaker U  blog on February 4, 2020.   Filmmaker U was created to help fill the apprenticeship void in the modern day film & television industry. This online education series will bring the best in the business from behind the camera, to any aspiring media artist who can no longer obtain this type of apprenticeship. Please check out all of our online classes now open for registration on editing, sound design, and color grading at Filmmaker U  here .   Jinmo Yang has been editing for ten years, and in that time he's established himself as a force to be reckoned with in the world of film editing. He's become South Korea's premiere editor, working on some of the most internationally successful films coming out of that industry. Yang's work includes the phenomenal Train to Busan , Okja , and of course Bong Joon Ho's Parasite , for which he is nominated for the Editing Oscar. His style has become such that he's mastered rhythm, and ...

What a Master Film Editor Expects from his Assistant Editors

One of the best ways to become a film editor is the traditional route of working your way up through the assistant ranks. Roles as an assistant under the  From Filmmaker U blog on July 30, 2019 One of the best ways to become a film editor is the traditional route of working your way up through the assistant ranks. Roles as an assistant under the tutelage of a master editor are highly coveted, so what are the editors who have achieved success looking for in young assistants? Brian Kates, ACE, Emmy award-winning editor for Marvelous Mrs. Maisel , took a break from  his new online editing class with us to reveal what he expects from his assistants.  Meticulous attention to detail Attention to detail is critical. There are numerous tiny details assistants are going to need to keep track of and not ensuring the timecode didn't slip or the footage coming in is appropriately labeled will save hours of the editors time. A love of technical wizardry Assistant editors should...

Making the Cut with Bobbie O'Steen Course at Manhattan Edit Workshop this February!

T he purpose of this course is to reveal the art and technique of master editors through the screening and discussion of their work. By doing a cut-by-cut analysis, Bobbie will explain the strategies and decisions behind the editing of many successful films - based on extensive interviews from her books, panels, and event series - which will ultimately empower you to become a better editor, filmmaker, and storyteller.  REGISTER HERE:  https://www.mewshop.com/register Schedule: CLASS ONE - FROM DAILIES TO FINAL CUT: Revolutionary use of camera, editing, and music. Film - The Graduate .  CLASS TWO - DIALOGUE: Subtext, eyelines, and breaking rules. Films - 12 Angry Men, Chinatown, Gosford Park, Moulin Rouge, Moneyball, Arrival, I Tonya, and Widows .  CLASS THREE - BEGINNINGS AND ENDINGS: Setting up a world and the payoff. Films – A Hard Day’s Night, Bonnie & Clyde, Annie Hall, The Big Chill, Michael Clayton, and Star Wars: Epi...