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“Black Panther: Wakanda Forever” and “Breaking Bad” Editor Kelley Dixon, ACE, Joins Manhattan Edit Workshop as Artist in Residence to Start 2023

MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online or In Person January 9th Manhattan Edit Workshop (MEWShop) , the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the January 9th 2023, class will be Emmy-winning Editor Kelley Dixon, ACE** Kelley will be joining our Six Week Students to discuss her long and distinguished career, give students insight into her process, and to screen and give feedback on student’s projects. Kelley Dixon, ACE, got her start in post-production in multiple capacities in the editing room on the features “Reservoir Dogs” and “Good Will Hunting” as well as TV's “Without a Trace,” and “Revelations.” Kelley got her big break after many long years as an assistant when her editor, Lynne Willingham, ACE, cut the “Breaking Bad” pilot and she became the series' second editor. She's been nominated for ...

Filmmaker U Announces New Class on Documentary Film Editing with Oscar-nominated and Multiple Emmy-winning Director/Editor Sam Pollard

Filmmaker U ( www.filmmakeru.com ), the online education series that brings the best in the industry to aspiring filmmakers, announced today that acclaimed  Director/Editor Sam Pollard  will teach a course in Documentary film editing. Oscar-nominated and multiple Emmy-winning documentary Director/Editor Sam Pollard   ("Four Little Girls," "When the Levees Broke: A Requiem in Four Acts," "Sammy Davis Jr.: I've Gotta Be Me"),   will take students into the edit suite in an intimate journey through his career, techniques, relationships and decision making process from his storied work.  His collaboration with Director Spike Lee and his recent ventures as a Director; will give students an unparalleled look into non-fiction storytelling. Topics include Structure, Directors and Editors Shaping a Film Pacing, Mood, Tone and Texture, Editing Audio, Editing, and much more. “Samuel Pollard is a master filmmaker,” Spike Lee said, with finality. “If you say he’s j...

Tech Talk: Live with AJA - Remote Workflows and Solutions on April 7th at 5PM EDT!

Join AJA Product Marketing Manager Andy Bellamy as he walks you through a few tips and tricks to set up or optimize your remote workflow. In the last year, remote post workflows have quickly evolved from a luxury to a necessity amidst the global pandemic. As more post shops, editorial facilities and freelancers across the industry have pivoted to remote setups to ensure team safety, the advantages of working this way have become clear, whether the ability to tap into a broader talent pool for projects and cost-efficiency for shops or the convenience offers individual creatives. Although setting up a remote workflow can seem overwhelming at first, with so many considerations and a plethora of available gear options, getting started doesn’t have to be complicated, and even if you’re already working remotely, there are subtle tweaks you can make to improve your existing workflow. FREE LIVE EVENT | April 7th, 2021 | 5:00 PM EDT/ 2:00PM PDT Join us live on Youtube Live: https://www.youtube....

VIDEO: Jerry Greenberg, ACE and Bill Pankow, ACE on Satisfaction as an Editor f...

Sight, Sound & Story  - Bill Pankow, ACE and Jerry Greenberg, ACE on Kramer vs. Kramer (Part 2) with moderator and author Bobbie O'Steen. Editors Jerry Greenberg, ACE and Bill Pankow, ACE, talk about the best feeling that an editor can have, using a scene from "Kramer vs. Kramer." From the panel "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 8th, 2013. For more information go to: www.SightSoundandStory.com. Gerald B. Greenberg, ACE often credited as Jerry Greenberg, is an American film editor who received both the Academy Award for Film Editing and the BAFTA Award for Best Editing for the film "The French Connection" (1971). He received Oscar and BAFTA nominations for "Kramer vs. Kramer" (1979) and "Apocalypse Now" (1979). Bill Pankow, ACE is an American film editor with more than 32 film credits dating from 1982. He won the Seattle Film Critics Award for Best Editing ...

Oscar-nominated Editor Jinmo Yan Talks about the Most Challenging Scene to Edit in this Year's Oscar-winning Film "Parasite"

From the  Filmmaker U  blog on February 4, 2020.   Filmmaker U was created to help fill the apprenticeship void in the modern day film & television industry. This online education series will bring the best in the business from behind the camera, to any aspiring media artist who can no longer obtain this type of apprenticeship. Please check out all of our online classes now open for registration on editing, sound design, and color grading at Filmmaker U  here .   Jinmo Yang has been editing for ten years, and in that time he's established himself as a force to be reckoned with in the world of film editing. He's become South Korea's premiere editor, working on some of the most internationally successful films coming out of that industry. Yang's work includes the phenomenal Train to Busan , Okja , and of course Bong Joon Ho's Parasite , for which he is nominated for the Editing Oscar. His style has become such that he's mastered rhythm, and ...

What a Master Film Editor Expects from his Assistant Editors

One of the best ways to become a film editor is the traditional route of working your way up through the assistant ranks. Roles as an assistant under the  From Filmmaker U blog on July 30, 2019 One of the best ways to become a film editor is the traditional route of working your way up through the assistant ranks. Roles as an assistant under the tutelage of a master editor are highly coveted, so what are the editors who have achieved success looking for in young assistants? Brian Kates, ACE, Emmy award-winning editor for Marvelous Mrs. Maisel , took a break from  his new online editing class with us to reveal what he expects from his assistants.  Meticulous attention to detail Attention to detail is critical. There are numerous tiny details assistants are going to need to keep track of and not ensuring the timecode didn't slip or the footage coming in is appropriately labeled will save hours of the editors time. A love of technical wizardry Assistant editors should...

Sight, Sound & Story: Post Production Summit Returns June 13th!

MEWShop’s one-day summit returns to New York on June 13, 2019, at the NYIT Auditorium on Broadway.  Panels include the art and processes of editing documentary film and episodic television.  Our closing panel will highlight the career of an acclaimed feature film editor Mary Jo Markey, ACE with author and film historian Bobbie O’Steen.  The summit culminates in a gala reception and networking session for guests, panelists, and vendors.   Schedule: 3:30 pm: Check-In 4:00 pm: Opening 4:15 pm - 5:15 pm: Anatomy of a Scene: Deconstructing Documentary Films  Moderator: Jeremy Workman ( Magical Universe, The World Before Your Feet ) Speakers: Carla Gutierrez, ACE  ( RBG, La Corona, Chavela ) &  Jean Tsien, ACE (S cottsboro: An American Tragedy, Dixie Chicks: Shut Up & Sing)  5:30 pm - 6:30 pm - The Emergence of Peak TV: Television's Cinematic Revolution Moderator: Gordon Burkell (AOT...

Sight, Sound & Story Event Series Launches Audio Podcast

The Sight, Sound & Story audio podcast series debuts featuring acclaimed Cinematographer Bruce Logan, ASC It’s a wealth of knowledge for anyone interested in the art and tech of filmmaking and storytelling.” — Jason Banke, "Sight, Sound & Story" Executive Producer This new bi-weekly series will highlight an acclaimed editor, cinematographer, sound designers, VFX artists or content creator pulled from our decade long events; as well as our upcoming 2019 symposiums. This audio podcast will have exclusive interviews with masters like Anne V. Coates, ACE (“Lawrence of Arabia,” “The Elephant Man”), Michael Kahn, ACE (“Raiders of the Lost Ark,” “Jurassic Park”), Robert McLachlan, ASC, CSC (“Game of Thrones,” “Ray Donovan”), William Goldenberg, ACE (“The Imitation Game,” “Argo), Kelley Dixon, ACE (“Breaking Bad,” “Better Call Saul”), Bruce Logan, ASC (“Star Wars: Episode I – A New Hope,” “Tron”), Dylan Tichenor, ACE (“Boogie Nights,” “There Will Be Blood”, Alan Hei...

Editor of “A Quiet Place” Christopher Tellefsen, ACE Returns as Manhattan Edit Workshop’s Next Artist in Residence

Six Week Students will have the opportunity to work with the Oscar-nominated Editor for MEWShop’s April workshop Manhattan Edit Workshop  (MEWShop), the cutting-edge, digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the April 29th class will be acclaimed editor Christopher Tellefsen, ACE.** Christopher was previously an Artist in Residence at MEWShop in 2006 and he has since gone on to find continued success in his career, including an Oscar-nomination for achievement in editing for the 2011 film “Moneyball.” He will be visiting with our Six Week Students to give an inside look at his start as a 3rd assistant editor on “The Color of Money” for legendary editor Thelma Schoonmaker, ACE, up through his work from last year’s critically acclaimed thriller “A Quiet Place.” “Since Tellefsen’s work as an editor is in high demand and he is always constantly working; this is a rare opportunity fo...

Oscar Nominated Editor Robert Eisenhardt, ACE Joins Our Next Six Week Intensive Workshop!

MEWShop is excited to announce that Oscar-nominated editor Robert Eisenhardt, ACE,  will join our March/April 2019 Six Week Intensive. Bob Eisenhardt is a three-time Emmy Award winner and Oscar nominee. With over 60 films to his credit, he has edited documentaries for Barbara Kopple, Maysles Films, Susan Froemke, Matt Tyrnauer, Marc Levin, David Grubin and Alex Gibney. Recent films include  the Oscar nominated Free Solo , Outside the Bubble: On the Road with Alexandra Pelosi , Wagner’s Dream , which received an Emmy nomination for editing,  Valentino: The Last Emperor, Dixie Chicks: Shut Up & Sing, Living Emergency: Stories of Doctors Without Borders ,  Dancing in Jaffa . and the HBO film  Everything Is Copy  on the life of Nora Ephron. Click here for more information on our Six Week Intensive or for registration information

Acclaimed Editor Anne McCabe, joins Our Next Six Week Intensive Starting January 7th!

MEWShop proudly announces that acclaimed editor Anne McCabe, ACE, will join our January/February 2019 Six Week Intensive. Anne McCabe started in the cutting rooms of Woody Allen, Brian de Palma, and Sidney Lumet. She has collaborated with Director Greg Mottola on several projects, including  The Daytrippers ,  Adventureland,  and the award-winning pilot for HBO’s  The Newsroom . She also worked closely with Kenneth Lonergan on the Academy Award-nominated film  You Can Count On Me , and  Margaret . Her television credits include  Nurse Jackie , Damages , Younger , The Purge  and this summer’s HBO’s hit drama  Succession . Navigating both drama and comedy, she cut Chris Rock’s acclaimed movie  Top Five, the recent Golden Globe Nominee Can You Ever Forgive Me? with Melissa McCarthy ,  and is currently editing the untitled Tom Hanks and Matthew Rhys Mr. Rogers movie, also directed by Marielle Heller. Our...

Editor Brian Chang Gives Insight into Representing Narco Culture in the Film "Narco Cultura"

Editor Bryan Chang from our Documentary panel from "Sight, Sound & Story: Post Production Summit on June 14, 2018. Bryan Chang is a documentary filmmaker whose award-winning films have been featured in The New York Times, National Geographic, TIME Magazine, The Atlantic, MoMA, Sundance Film Festival, and distributed theatrically. His feature-length documentaries include "Brasslands" (director/DP/editor), "Narco Cultura" (editor), "Dark Money" (additional editor) and "Island Soldier" (producer/editor). He was an editor for the Emmy-winning documentary series "A Year In Space," and is currently editing on a Netflix original documentary series about genetic engineering. He is a co-owner of Meerkat Media, a cooperatively-run production company in Brooklyn, NY. "Sight Sound and Story" is an annual event presented by Manhattan Edit Workshop that brings audiences "behind the scenes" with legends of visual st...

Remembering “Lawrence of Arabia” Editor Anne V. Coates, ACE

We sadly just learned of the passing of legendary Editor Anne V. Coates, ACE. We had the pleasure of meeting Anne when she joined us for “Sight, Sound & Story” 2016 with moderator/writer Bobbie O’Steen. Anne was easily one of our most memorable panelists that we have ever had; not only for her extremely long and esteemed career, but because of her outspoken, joyful, and charming personality. She will be missed! Below are some highlights of Anne talking about her work. Our thoughts and prayers go out to her friends and family.  See more here .

Watch Our Six Week Workshop Profile on Alumni Spencer Morin. Next Six Week Intensive Workshop Starts January 9th!

Former Manhattan Edit Workshop Six-Week student Spencer Morin talks about his experiences with Mewshop's Six Week Intensive Program, as well as his work at Cause + Effect Productions on projects for MTV and Nickelodeon. About MEWShop’s Six Week Intensive Course The post-production industry is highly competitive, and knowing the industry standards – Premiere Pro, Final Cut Pro, After Effects and Avid Media Composer – is critical for success. MEWShop is the only school in the world to offer in one comprehensive, six-week course all of these editing applications, taught by certified instructors. No other program guarantees more time in the classroom or more working on one’s own machine. The Six Week Intensive Course takes students through each program as they work on various real-world projects to illustrate the distinct strengths and nuances of each NLE. MEWShop’s Six Week Intensive is also the only course of its kind that allows students to choose the footage they want to edit ...

VIDEO: How to Add a Media Browser Shortcut in Adobe Premiere Pro

Manhattan Edit Workshop Instructor Kiri Roberts shows how to add a shortcut in your Media Browser in Adobe Premiere Pro (CC15). Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced manufacturer certified training courses, from the Avid, Autodesk, Assimilate and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

MEWShop Welcomes Documentary Editor Mary Manhardt as Our Spring 2016 Artist in Residence!

Manhattan Edit Workshop  is proud to announce that acclaimed editor Mary Manhardt, will be our April 2016 Artist in Residence.  Mary's work includes   American Teen, Street Fight, The Farm, Angola USA,  and  The Great Chicken Wing Hunt . Mary recently consulted on and co-edited the Netflix hit "Making a Murder."  MEWShop Owner and Six Week Intensive Instructor Josh Apter says, “Having an editor like Mary in the workshop will definitely be a special experience for our upcoming class." "Her credits and experience are second to none in the Documentary landscape." Our next Six Week Intensive starts May 9th! For more information on our Six Week Intensive please click  here .

VIDEO: VFX Artist Rob Legato Discusses his Process of Pre-visualizing "Avatar"

Manhattan Edit Workshop presents: Sight, Sound & Story - Avatar Part II. From Manhattan Edit Workshop's "Sight, Sound & Story: An Evening with Visual FX Artists Rob Legato and Mark Russell" Robert Legato is a visual effects supervisor, second unit director and second unit director of photography. He has been nominated for three Academy Awards and has won two. His first win was for his visual effects work on "Titanic." His second was for his work on "Hugo." In 1996, he won the BAFTA award for Best Achievement in Special Effects for "Apollo 13," for which he also garnered his first Academy Award nomination. Prior to his work in film, he was a Visual Effects Supervisor for "Star Trek: The Next Generation" from 1987 to 1992, and "Star Trek: Deep Space Nine" in 1993. His work on the "Star Trek" franchise earned him three Emmy nominations and two wins. Rob Legato is a member of Directors Guild of Americ...

Editor Jeffrey Wolf, ACE on Remaining Faithful to the Sourc...

Editor Jeffrey Wolf, ACE on "Holes." From Manhattan Edit Workshop's "Critical Ends" series, featuring award winning editors discussing their craft as a part of our Six Week Editing Intensive. For more information on Manhattan Edit Workshop's Six Week Editing Intensive and Artist In Residence program please visit: mewshop.com/six_week_workshop/ #MEWTube, #JeffWolf, #ArtistinResidence, #CriticalEnds, #6Week,  +Manhattan Edit Workshop

VIDEO: William Goldenberg, ACE Discusses Restructuring Scenes in "The Imitation...

Editor William Goldenberg, ACE discusses restructing scenes in "The Imitation Game." From the panel "Inside the Cutting Room with Bobbie O'Steen," at "Sight, Sound & Story" on June 13th, 2015. William Goldenberg, ACE, has more than twenty film and television credits since 1992. He won the Academy Award for Film Editing for the film Argo, and has been nominated for "The Insider," "Seabiscuit," "Zero Dark Thirty," and "The Imitation Game." He has also received nominations for nine other editing-related awards. Goldenberg has had an extended, notable collaboration with the director Michael Mann including "Heat," "The Insider," "Ali," and "Miami Vice." Some of his other work includes "Unbroken," "Alive," "Pleasantville," "National Treasure," and "National Treasure: Book of Secrets," "Transformers: Dark of the Moon...