Manhattan Edit Workshop's Blog

AJA Launches U-TAP USB 3.0 Capture Devices [ Video Guys ] Working With the Motion Graphics Toolkit in Maya [ Lester Banks ] Are You Ready for HDR? [ Definition Magazine ] Kurt Baxter, ACE on editing "Gone Girl" for David Fincher [ Pro Video Coalition ] The Art of the Score with Oscar-winning composer Elliot Goldenthal [ Blog Talk Radio ] Lee Smith, ACE on editing "Interstellar" [ Pro Video Coalition ] Supervising Sound Editor Martin Hernandez on Crafting the Sound Behind "The Revenant" [ AVID Blogs ]

Is It Possible To Stay Healthy at NAB ? Here's the perspective of an attendee planning to make her trip a healthy one. [ Fitness in Post ] Art of the Cut with Oscar-winning editor Martin Walsh ( Eddie the Eagle , upcoming Wonder Woman ) [ Pro Video Coalition ] Inspirations/Distractions with Sound Editor and TEDx Speaker Akash Thakkar [ Designing Sound ] Bobbie O'Steen interviews Christopher Tellefsen on Capote and Moneyball [ AOTG ] Ang Lee tries to convince us that 3D in 4K/120fps is the future of cinema [ 4K Shooters ] New remote editing tools from Editshare Flow Media [ CreativeCow ] FilmLight and Avid launch Pro Colour bundle [ CreativeCow ] Interview with VFX Designer Mario Tran Phuc [ Greyscale Gorilla ]

Manhattan Edit Workshop Instructor Kiri Roberts shows how to quickly and easily replace a clip in your timeline in Adobe Premiere Pro (CC15). Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced manufacturer certified training courses, from the Avid, Autodesk, Assimilate and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.

Glenn Garland interviews Lynn Willingham , Skip McDonald and Kelley Dixon , ACE Editors of “Breaking Bad” [ American Cinema Editors ]  An Interview with William Goldenberg, ACE –  Editor “Argo” and “Zero Dark Thirty" [ American Cinema Editors ] "Naked and Afraid" Blur Editor Tells All [ The Hollywood Reporter ] Wacom broadens digital pen interoperability in partnership with Microsoft [ tech2 ] How to Animate Grades With Keyframes in Resolve [ AOTG ] Technicolor veterans Gareth Cook and Clifton Dugan have opened The Foundation, a new 5,700-square-foot post house in Burbank [ Studio Daily ] Blackmagic Design is now shipping Fusion 8 and Fusion 8 Studio for both Mac OSX and Windows [ CG Meetup ]

Photo by Claire Marie Vogel Manhattan Edit Workshop congratulates Eileen Meyer, winner of the 2016 Karen Schmeer Fellowship! Eileen completed the MEWShop Six-Week Workshop in the fall of 2011. We caught up with her to chat about her achievements since, including a Cinema Eye Honors "Outstanding Achievement in Editing" nomination for her latest film, Best of Enemies , a 2015 Sundance Film Festival Grand Jury Prize nominee. 1. Where did you grow up? Durham, North Carolina.   2. What kind of film education did you receive? My first job at 15 was at a local, independent video store that was walking distance from my house.  The store catered more towards the new indy films that were coming out in the late 90s, so that was my first experience with films that inspired me to be a filmmaker, especially all of the Sundance films of that era.  Later in high school I worked nights and weekends at an arthouse movie theater in Chapel Hill, NC and got my second dose of insp...

The best VFX breakdowns of 2016 (so far), including Deadpool, Ant-Man, and Terminator Genysis. [ Rocketstock ] How Zero FX created a bygone era for the Whitey Bulger biopic Black Mass [ Animation World Network ] BatchFrame releases Move Anchor Point 3 for After Effects, allowing the user to to move an actor point in After Effects without moving the layer along with a host of new, more flexible features [ Lester Banks ] Daniel Peters comes out with a few LUTs for the 4.6K Blackmagic URSA Mini camera [ Cinescopophilia ] What virtual reality really means for the music industry [ HypeBot ] Every Best VFX Winner, Ever: a supercut [ Lester Banks ] Polaroid releases two new camera stabilizers [ AOTG ]

Manhattan Edit Workshop Instructor Ari Feldman shows how to import footage from a hard drive in the latest version of Apple's Final Cut Pro X. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced manufacturer certified training courses, from the Avid, Autodesk, Assimilate and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked.