Avid Media Composer 5 Is Here!
New features of Avid Media Composer 5:
- Directly access and edit RED files through AMA, without transcoding (images are scaled to HD frame size)
- Work natively with QuickTime video formats, including Apple ProRes and H.264
- Edit video and audio by dragging and dropping elements in the timeline
- Keep high-end finishing projects in-house and gain great color precision with HD-RGB support (including dual-link I/O support with Nitris DX systems)
- Monitor video externally with support for the Matrox MXO2 Mini
- Mix and match frame sizes and aspect ratios — in addition to formats, frame rates, and resolutions — in the same timeline
- Take a break during long renders and have your system email you when the job’s done
- Import AVCHD files directly from cameras and other devices
- Capture to and edit XDCAM HD and DVC PRO HD formats from baseband without additional hardware
- Access low-res XDCAM proxies for offline work, with full-quality audio
- Import text-based ancillary data and embed it in the video signal with the new “Data Track” and SMPTE 436M support using Nitris DX- and Mojo DX-based systems
- View stereo audio tracks as single channels in the timeline for easier handling
- Create high-quality sounds and mixes with support for RTAS audio processing plug-ins
- Natively access and edit 4:2:2 MPEG-2 media from the new Canon cameras using AMA
Click here to view upcoming Avid Media Composer workshops at Manhattan Edit Workshop.