EditFest NY 2012 has confirmed Moneyball editor Christopher Tellefsen, A.C.E. as a panelist for this year's event. Some of Christopher's work includes Capote, Analyze This, The Village, The People vs. Larry Flynt, Fair Game, Kid, and Changing Lanes. Christopher Tellefsen was born in September 1957. In 1979 he attended New York's Cooper Union for the Advancement of Science and Art but as a student of photography and fine arts,becoming interested in experimental film-making after taking classes with Bob Breere. Shortly after graduation he was given a job assisting Ralph Rosenbloom cutting an independent movie and later became apprentice to another renowned editor Thelma Schoonmaker before,in 1990,taking his first job as a cutter in his own right for Whit Stillman's 'Metropolitan.' Since then he has not only achieved success in the field of editing (including an Oscar nod for 2011's 'Moneyball') but has also served as curator of Martin Scorsese's film archive. For more information on this year's event go to www.editfestny.com.
“Black Panther: Wakanda Forever” and “Breaking Bad” Editor Kelley Dixon, ACE, Joins Manhattan Edit Workshop as Artist in Residence to Start 2023
MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online or In Person January 9th Manhattan Edit Workshop (MEWShop) , the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the January 9th 2023, class will be Emmy-winning Editor Kelley Dixon, ACE** Kelley will be joining our Six Week Students to discuss her long and distinguished career, give students insight into her process, and to screen and give feedback on student’s projects. Kelley Dixon, ACE, got her start in post-production in multiple capacities in the editing room on the features “Reservoir Dogs” and “Good Will Hunting” as well as TV's “Without a Trace,” and “Revelations.” Kelley got her big break after many long years as an assistant when her editor, Lynne Willingham, ACE, cut the “Breaking Bad” pilot and she became the series' second editor. She's been nominated for four ACE awards and six Emm