Skip to main content

Get Iconic Movie Look Color Grades For Free from SmallHD!

Iconic Movie Look Color Grades Free
SmallHD's Color Grade Pack Recreate Looks from Seven Iconic Films and Teaches Exactly How to Use Them

SmallHD, known for compact, Full HD on-camera monitors is giving away a free set of color grades that recreate the unique look of seven different iconic films, and are also publishing multiple video tutorials explaining how to get the most out of these looks during both production and post production—all 100% free of charge.

 “Color grading will soon be critical to every shooter’s workflow,” says Wes Phillips, CEO.  “We’re giving away this free pack of looks and color grading educational material to provide a fun entry point into the world of working with 3D LUTs.”

 Provided in a small downloadable .zip file, the color grades come in the form of 3D LUT files (3D “lookup tables”) originally designed in DaVinci Resolve. Visually iconic films such as Apocalypse Now, Saving Private Ryan, The Matrix, and Moonrise Kingdom are among the seven free color grades.



Designed to help teach filmmakers who are not yet versed in the use of color grades, the tutorial video outlines the capabilities and advantages of applying LUTs or “looks” to footage during actual shoots. The tutorial is tailored for developing new looks on the popular free DaVinci Resolve color grading software. The video tutorials and 3D LUTs download are both available on the Community section of SmallHD’s website (http://www.smallhd.com/community/movie-looks-download). 

Filmmakers have long known that recording flat or LOG video, with its low contrast image, offers great advantages to the post-production process by preserving as much data as possible. However, viewing this flat video can make it tricky to gauge color and exposure, and can make critical focus difficult. Further, looking at raw images can also be disconcerting for an on-site client, where the filmmakers have to constantly explain what the imagery “will look like in post.”

The solution is applying 3D LUTs to the video shown in the on-set monitor, without altering the footage recorded from the camera itself. 3D LUTs are pre-defined profiles applied to the monitoring of a camera to give a representation of a corrected image or an image with a specific gamma curve. Creating a custom LUT is a step further. It can be an on-set tool providing a representation of the final desired image.

SmallHD offers seven different 3D LUTs, each emulating the look of a popular motion picture. As a starting point, a shooter or DIT readying for a specific location can apply one of these looks to test footage from the location using the DaVinci color grading software. That look can then be modified so the test footage has just the look desired when it is out of post-production. SmallHD clearly explains the process, step by step.

Displaying the on-set video with the look applied is made simple with SmallHD’s newest firmware upgrade to its 500 Series five-inch Full HD monitors. The firmware upgrade enables the monitor’s output to carry the LUT information to other monitors on-set. This feature will be resident in future monitors developed by SmallHD and likely other manufacturers will follow suit.

Popular posts from this blog

“Black Panther: Wakanda Forever” and “Breaking Bad” Editor Kelley Dixon, ACE, Joins Manhattan Edit Workshop as Artist in Residence to Start 2023

MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online or In Person January 9th Manhattan Edit Workshop (MEWShop) , the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the January 9th 2023, class will be Emmy-winning Editor Kelley Dixon, ACE** Kelley will be joining our Six Week Students to discuss her long and distinguished career, give students insight into her process, and to screen and give feedback on student’s projects. Kelley Dixon, ACE, got her start in post-production in multiple capacities in the editing room on the features “Reservoir Dogs” and “Good Will Hunting” as well as TV's “Without a Trace,” and “Revelations.” Kelley got her big break after many long years as an assistant when her editor, Lynne Willingham, ACE, cut the “Breaking Bad” pilot and she became the series' second editor. She's been nominated for four ACE awards and six Emm

ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL

  ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL Newly Redesigned Fellowship Program Provides Mentorship for Assistant, Associate and Emerging Documentary Film Editors from Underrepresented Backgrounds and Experiences  Open call for submissions begins FEBRUARY 1, 2022 Received-by application deadline is MARCH 20, 2022 The Karen Schmeer Film Editing Fellowship is a year-long group mentorship program for documentary assistant, associate and emerging editors from historically underrepresented backgrounds and experiences. Our mission is to cultivate the careers of an inclusive group of emerging and aspiring documentary film editors through mentorship to help them grow as artists and build their community. By investing in editors, we affirm and strengthen the critical role editors play in documentary storytelling.   Applicants must be based in the U.S., reside there September 2022 – September 2023, have at least two credits as an assistant, associate, additional, c

Go Inside the Cutting Room of Peak TV’s Most Captivating and Compelling Drama Series - "Succession" on March 24th!

Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues on March 24th with Inside the Cutting Room of “Succession” featuring Editors Ken Eluto, ACE , Bill Henry, ACE and Jane Rizzo with Author & Historian Bobbie O’Steen. Inside Episode XIX: This panel focuses on the tragicomic saga of a super rich and powerful family that has riveted HBO audiences for the past three seasons. Join Bobbie O'Steen for a discussion with three of the series masterful editors - Ken Eluto, ACE, Bill Henry, ACE, and Jane Rizzo - who discuss the challenges and rewards of working with constant camera movement, complex plotlines, and multi-layered performances that reveal the many shifting alliances and betrayals in this highly acclaimed series. This is a free online event! When: March 24th at 7:30 PM ET Where : Online Cost: FREE! (but you must register in advance of the event to receive link and password) REGISTER HERE