VIDEO: Editor Kelley Dixon, ACE on Creative Freedom in Hit TV Series "Breaking Bad"
Editor Kelley Dixon, ACE discusses creative freedom in "Breaking Bad." From "Sight, Sound & Story" on June 11th, 2016.
Kelley Dixon, ACE got her start in post production in multiple capacities in the editing room on the features "Reservoir Dogs" and "Good Will Hunting" as well as TV's "Without a Trace," and "Revelations." Kelley got her big break after many long years as an assistant when her editor, Lynne Willingham cut the "Breaking Bad" pilot and she became the series' second editor. She's been nominated for four ACE awards and six Emmys - winning one Emmy in 2013 - for her work on "Breaking Bad."
Kelley also edited on HBO's "Luck," Showtime's "Shameless," AMC's "The Walking Dead," "Halt and Catch Fire" and "Preacher." And she's currently working on the "Breaking Bad" spin-off, "Better Call Saul."
"Breaking Bad" is an American crime drama television series created and produced by Vince Gilligan. The show originally aired on the AMC network for five seasons, from January 20, 2008, to September 29, 2013. It tells the story of Walter White (Bryan Cranston), a struggling high school chemistry teacher diagnosed with inoperable lung cancer. Together with his former student Jesse Pinkman (Aaron Paul), White turns to a life of crime, producing and selling crystallized methamphetamine to secure his family's financial future before he dies, while navigating the dangers of the criminal world. The title is from a Southern colloquialism meaning to "raise hell." Breaking Bad is set and was filmed in Albuquerque, New Mexico.
"Sight Sound and Story" is an annual event presented by Manhattan Edit Workshop that brings audiences "behind the scenes" with legends of visual storytelling. Each year the one day summit brings together a collection of diverse and intriguing high-profile speaker series to discuss the evolving world of post-production. Panels topics have included the art and processes of editing film & television, exploring ground-breaking interactive media, the fast pace of cutting sports television, getting the real from reality television, experiencing the magic of feature sound design, taking a look at the vital roles of the VFX artist, and deconstructing key scenes from fiction and documentary favorites.
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