Manhattan Edit Workshop's Blog

In our  two-day   ICA 300  course we will be working on a project that was a theatrically released feature film.   The feature was shot on Red Epic using anamorphic lenses. We are going to take the film from the preparation for grading through to the final deliverables. Apart from the obvious color grading work we will also take an extensive look at the new features in Resolve V12 for online and mastering from a feature film perspective. Go here to learn more about this amazing class:  http://mewshop.com/courses/course_detail/ICA%20300/

In our  two-day   ICA 301 course the participants will focus on a previously released international fashion brand commercial. We will look at the commercial from preparation for grading through to the final deliverables. Apart from the obvious colour grading work we will also take an extensive look at the new features in Resolve v12 for online and mastering. Go here to learn more about this amazing class:  http://mewshop.com/courses/course_detail/ICA%20301/

Our  two-day ICA 201  class is designed around a small conformed sequence that you can take away. We will work through the project from start to finish not only looking at Resolve, but also using general colorist strategies. You will be able to keep the project and stills, a great way to continue your learning. Find out more about this course here:  http://mewshop.com/courses/course_detail/ICA%20201/

Artist in Residence John Gilroy, ACE "Narc." For more information on Manhattan Edit Workshop's 6 Week Editing Intensive and Artist In Residence program please visit: www.mewshop.com/six_week_workshop/ John Gilroy, ACE, began his career working with Francis Ford Coppola's longtime editor Barry Malkin on "Peggy Sue Got Married" and MEWShop Artist in Residence Jeffrey Wolf, ACE on "Beautiful Girls" and "The Ref." His credits include the Academy Award winning "Michael Clayton", "The Bourne Legacy", "Nightcrawler", "Pacific Rim," "Miracle", "Tumbleweeds", "Narc", "Pride & Glory" and "Duplicity." "Narc" is a 2002 American crime thriller film written and directed by Joe Carnahan and starring Ray Liotta and Jason Patric. The plot revolves around the efforts of two police detectives in search of the murderer of an undercover polic...

Here at MEWShop, we've been putting together a bunch of new video mini-tutorials and how-tos for Avid Media Composer. Here's a compilation. Check them out! How to Duck Audio in Avid Media Composer How to Link Footage in Avid Media Composer How to Find Menu Items in Avid Media Composer For more videos like this from MEWShop, subscribe to our YouTube channel!

MEWShop is proud to welcome Oscar nominated film editor Mike McCusker, ACE  as our Artist in Residence for our Six Week Intensive Art of Editing Workshop that starts January 9, 2017.   Mike's first feature film in the editor’s chair resulted in an Oscar nomination for Best Achievement in Film Editing: Walk the Line .   Walk the Line won the ACE Eddie that year for Best Edited Feature Film – Comedy or Musical. Since then he has edited 3:10 to Yuma, Australia, The Amazing Spider-Man, The Wolverine , 13 Hours , The Girl on the Train , and the soon to be released  Wolverine sequel   Logan .  For more information on our Six Week Intensive or for registration information please go to  http://mewshop.com/six_week_workshop/overview/

Editor Stephen Rotter talks about the process of editing a musical number, as seen in "Enchanted." From the Series: "Manhattan Edit Workshop Presents Inside the Cutting Room with Bobbie O’Steen" featuring editor Stephen Rotter on April 25, 2013. Stephen Rotter has worked as a film editor on more than thirty feature films. He won an Academy Award for his work on "The Right Stuff" and an Emmy and Eddie for the mini-series "Holocaust" starring Meryl Streep. Stephen's other editing credits include "The World According To Garp," "Dirty Rotten Scoundrels," "The Parent Trap," "What Women Want," "America's Sweethearts" and the 2007 hit, "Enchanted." Bobbie O’Steen is a New York-based writer and film historian, dedicated to sharing the editor’s invisible art with students, professionals, and the movie-going public. She is an Emmy-nominated film editor and the author of t...

A quick guide to adding gap clips in Apple's Final Cut Pro X 10.3. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced manufacturer certified training courses, from the Avid, Autodesk, Assimilate and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. More information about Manhattan Edit Workshop and the classes offered visit: https://mewshop.com/ Follow us on Twitter: @MEWshop / https://twitter.com/mewshop Like us on Facebook Manhattan Edit Workshop: https://facebook.com/ManhattanEditWorkshop Friend us Manhattan Edit: https://facebook.com/mewshop

  Inside The Cutting Room With Bobbie O'Steen" Featuring Andrew Weisblum, ACE - Black Swan Part II.  From the Series: "Manhattan Edit Workshop Presents Inside the Cutting Room with Bobbie O’Steen" featuring editor Andrew Weisblum, ACE on February 21st, 2013. Andrew Weisblum, ACE is an American film and a visual effects editor. He has collaborated frequently with directors Darren Aronofsky and Wes Anderson. Weisblum was nominated for an American Cinema Editors's Eddie Award for Best Edited Animated Feature Film for his work on “Fantastic Mr. Fox” and an Academy Award for Best Film Editing for his work on “Black Swan.” About the moderator: Bobbie O’Steen is a New York-based writer and film historian, dedicated to sharing the editor’s invisible art with students, professionals, and the movie-going public. She is an Emmy-nominated film editor and the author of two acclaimed books about editing entitled "Cut to the Chase" and "The Invisible Cut....