Skip to main content

"CODA" Cinematographer Paula Huidobro Talks About Filmmaking


Cinematographer Paula Huidobro talks with Filmmaker U about the challenges of shooting  the recent film "CODA." For this film, Paula had to work with deaf actors, shoot tons of scenes on a boat and many other unique scenarios!

 Paula Huidobro was born in Mexico City. She attended the London International Film School and later on specialized in cinematography at The American Film Institute.

Her feature film debut as a cinematographer was “Gardens of the Night” directed by Damian Harris in 2008, which received a Golden Bear Nomination at the Berlin Film Festival.

She went on to shoot Paul Bettany’s directorial debut "Shelter" with Jennifer Connelly and Anthony Mackie (TIFF Official Selection), "Tallulah" for Netflix (Jury Grand Prize nominee Sundance Film Festival), and most recently Oh Lucy (Cannes Film Festival Golden Camera Nominee 2017, Critics Week Grand Prize Nominee 2017 and Independent Spirit Awards Nominee 2018). Her latest film is Apple TV’s "CODA."


 

Gordon Burkell (GB) - This week, I'm joined by Paula Huidobro, whose work includes "CODA," "Barry," and "Fargo," among many other great films and shows. Welcome to the show. Paula.

Paula Huidobro (PH) - Thank you very much.

GB -  I have to ask you about "Barry," because I love that show. Particularly Season Two, Episode Five. With the little girl who's doing all the stunts and everything. When you got the script, how did you envision shooting that versus how it came out? Because it looks it's it's quite a chaotic and exciting episode, I guess you could say.

PH - I think it was, it was pretty close to the way Bill Hader and I talked about the way we were gonna shoot it. I mean, for him, he didn't want to sort of glorify violence, even though it's all about the violence on the show. So he wanted to do like really long takes composed with them taking time to pan across the room or to track and let the shot play out instead of like covering it in a million pieces. So we watched "The Apartment" and also "Roma" for inspiration. Bill and I thought a lot about that episode, and the little girl was really amazing as well. So she did a bunch of the stunts.


Read the full article HERE.

Popular posts from this blog

“Black Panther: Wakanda Forever” and “Breaking Bad” Editor Kelley Dixon, ACE, Joins Manhattan Edit Workshop as Artist in Residence to Start 2023

MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online or In Person January 9th Manhattan Edit Workshop (MEWShop) , the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the January 9th 2023, class will be Emmy-winning Editor Kelley Dixon, ACE** Kelley will be joining our Six Week Students to discuss her long and distinguished career, give students insight into her process, and to screen and give feedback on student’s projects. Kelley Dixon, ACE, got her start in post-production in multiple capacities in the editing room on the features “Reservoir Dogs” and “Good Will Hunting” as well as TV's “Without a Trace,” and “Revelations.” Kelley got her big break after many long years as an assistant when her editor, Lynne Willingham, ACE, cut the “Breaking Bad” pilot and she became the series' second editor. She's been nominated for four ACE awards and six Emm

ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL

  ANNOUNCING THE 2022-2023 KAREN SCHMEER FILM EDITING FELLOWSHIP OPEN CALL Newly Redesigned Fellowship Program Provides Mentorship for Assistant, Associate and Emerging Documentary Film Editors from Underrepresented Backgrounds and Experiences  Open call for submissions begins FEBRUARY 1, 2022 Received-by application deadline is MARCH 20, 2022 The Karen Schmeer Film Editing Fellowship is a year-long group mentorship program for documentary assistant, associate and emerging editors from historically underrepresented backgrounds and experiences. Our mission is to cultivate the careers of an inclusive group of emerging and aspiring documentary film editors through mentorship to help them grow as artists and build their community. By investing in editors, we affirm and strengthen the critical role editors play in documentary storytelling.   Applicants must be based in the U.S., reside there September 2022 – September 2023, have at least two credits as an assistant, associate, additional, c

Go Inside the Cutting Room of Peak TV’s Most Captivating and Compelling Drama Series - "Succession" on March 24th!

Manhattan Edit Workshop’s “Sight, Sound & Story: Live” monthly online event series continues on March 24th with Inside the Cutting Room of “Succession” featuring Editors Ken Eluto, ACE , Bill Henry, ACE and Jane Rizzo with Author & Historian Bobbie O’Steen. Inside Episode XIX: This panel focuses on the tragicomic saga of a super rich and powerful family that has riveted HBO audiences for the past three seasons. Join Bobbie O'Steen for a discussion with three of the series masterful editors - Ken Eluto, ACE, Bill Henry, ACE, and Jane Rizzo - who discuss the challenges and rewards of working with constant camera movement, complex plotlines, and multi-layered performances that reveal the many shifting alliances and betrayals in this highly acclaimed series. This is a free online event! When: March 24th at 7:30 PM ET Where : Online Cost: FREE! (but you must register in advance of the event to receive link and password) REGISTER HERE